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Marie-Claire Blais

MARIE-CLAIRE BLAIS   (1939 - )

Nationality:   Canadian    Email:   n/a   Website:   n/a

Literary Agent:  n/a

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Adaptation / Translations of Plays by Marie-Claire Blais

LINDA GABORIAU  

Clash Of Symbols, A

1st Produced:

- - -

- - -

Organisations:

n/a

1st Published:

Contained in: "An Anthology of Quebec Women's Plays in English Translation volume One" published by Playwrights Canada Press 2007

ISBN/ASIN:

978-0887548680

Music:

-

doollee no

#147509

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

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abebooks.co.uk

Stageplays.com

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amazon.co.uk

amazon.ca

Genre:

Translation

Parts:

Male

-

Female

-

Parts other:

-

Notes:

Original Playwright - Marie-Claire Blais

Clash Of Symbols, A

n/a

Further Reference:

-


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DAVID LOBDELL  

Execution, The

1st Produced:

- - -

1976

Organisations:

n/a

1st Published:

Talon Books, Vancouver, BC, 1976

ISBN/ASIN:

978-0889221031

Music:

-

doollee no

#21109

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Translation

Parts:

Male

3

Female

17

Parts other:

-

Notes:

Original Playwright - Marie-Claire Blais

Execution, The

Two schoolboys plot the murder of one of their classmates and enact the crime. a continuation of the author's study of evil begun in her first novel MaD SHaDOWS, 1958.

Further Reference:

-


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DAVID LOBDELL  

Island, The

1st Produced:

- - -

- - -

Organisations:

n/a

1st Published:

Oberon Books, London, 1991

ISBN/ASIN:

-

Music:

-

doollee no

#21110

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Translation

Parts:

Male

-

Female

0

Parts other:

-

Notes:

Original Playwright - Marie-Claire Blais

Synopsis:

Further Reference:

-


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RAY CHAMBERLAIN  

Ocean, The

1st Produced:

- - -

- - -

Organisations:

n/a

1st Published:

Contained in: "an anthology Of Quebec Women's Plays In english Translation" published by Playwrights Canada Press 2006

ISBN/ASIN:

978-0887548680

Music:

-

doollee no

#142834

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Translation

Parts:

Male

3

Female

4

Parts other:

2 boys; 2 girls

Notes:

Original Playwright - Marie-Claire Blais

Ocean, The

a famous writer dies. His three children reunite at his home by the sea. Francois - the favourite defends his father's writings to his siblings Simon and Maria

Further Reference:

-


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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.