STEPHEN FAGAN
| Nationality: | n/a |
| Literary Agent: *: | n/a |
| Email: | n/a |
| Website: | n/a |
* If shown, click on the literary agent's name for full contact details and links to all the Playwrights they represent.
Plays by Stephen Fagan
Hard Shoulder, The |
| 1st Produced: | 1982 | |||||
| Company: | - | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Play/Drama | Parts: | Male | - | Female | - |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | - | |||||
Little Love |
| 1st Produced: | 1990 | |||||
| Company: | - | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | Play/Drama | Parts: | Male | - | Female | - |
| Parts Other: | - | |||||
| Notes: | - | |||||
| Synopsis: | ||||||
Under The Hammer |
| 1st Produced: | - | - | ||||
| Company: | - | |||||
| 1st Published: | - | ISBN | - | |||
| To Buy This Play: | I don't think the play has been published but you could try abebooks.com or the playwright direct where their email is shown at the top of the page | |||||
| Genre: | - | - | Parts: | Male | - | Female | - |
| Parts Other: | - | |||||
| Notes: | broadcast by the BBC in March 1984 as part of its series 'Play for Today' | |||||
| Synopsis: | Under the Hammer' concerned the fate of a Van Gogh painting whose authenticy had suddenly been called into question on the eve of a prestigious London sale. The drama sharply intensifies as the painting, temporarily removed from view, then receives a kick from a gallery porter during an argument with a colleague. Although the resultant damage was repaired overnight (with the use of Polyfilla among other things) a big anxiety hung over the whole business as it was decided to re-enter the picture for auction. The question of authenticity notwithstanding, there was now no desire to arouse the suspicion of the painting's Russian owners that a problem had occurred at all. | |||||