doollee banner

Last Updated: 13-Dec-13

Contact


Google
web doollee.com


Click on a Play title below for more information

Siegfried Geyer

SIEGFRIED GEYER   

Nationality:   German    Email:   n/a   Website:   n/a

Literary Agent:  n/a

Please send me a biography and information about this Playwright
xxx doollee

Adaptation / Translations of Plays by Siegfried Geyer

P G WODEHOUSE  

Candlelight

1st Produced:

Empire Theatre, NY

- - -

Organisations:

n/a

1st Published:

Samuel French, Inc - New York (2009) >>>

ISBN/ASIN:

sf-5012

Music:

-

doollee no

#63311

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

-

Female

-

Parts other:

-

Notes:

Original Playwright - Siegfried Geyer

Candlelight

A comedy which relates how Prince Rudolf's valet falls in love with a pretty voice over the telephone, invites his charmer to his master's first floor apartment, and then, naturally, puts off his livery and becomes a Prince - all this is related with an arid, wiry wit that is capital entertainment. Particularly when Prince Rudolf returns unexpectedly in person and sardonically accepts the situation by donning his valet's livery - particularly then are the lines neatly turned and the situations nicely groomed in the acting. Your sympathies are very much with the ambitious valet who confesses that his previous love affairs have been confined to "cooks and mAIDS, with the possibility of a governess at Christmas."

Further Reference:

-


Top of Page Top of Page


Buy Plays with Doollee

Each page of doollee.com has links to play/book outlets, either directly to the Publisher, through Stageplays.com and Amazon to the second hand and 1st editions of AbeBooks. These links will automatically take you to the relevant area obviating the need for further search.




We add submitted information to the site daily and all contributions we receive help make this the most meaningful and definitive guide to modern playwrights in the world. So whether you are a Playwright who wishes to make their entry definitive, an unlisted Playwright or a User with a tale to tell - we want to hear from you.










Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.