n/a

n/a

BBC TV

1977

-

Faber and Faber, London, 1979

-

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T.V. Drama

-

7

8

-

-

London

1980

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Adaptation

-

0

-

works by David Mercer

1994

-

Faber and Faber, London, 1995

-

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-

Adaptation

3

2

extras

written with Martha Clarke

Wyndham's Theatre, London

1996

-

Faber and Faber, London, 1996

-

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Adaptation

3

0

-

Original Playwright - Yasmina Reza

How much would you pay for a white painting? Would it matter who the painter was? Would it be art? One of Marc's best friends, Serge, has just bought a very expensive painting. Its about five feet by four, all white with white diagonal lines. To Marc, the painting is a joke, but Serge insists Marc doesn't have the proper standard to judge the work. Another friend, Ivan, though burdened by his own problems, allows himself to be pulled into the this disagreement. Eager to please, Ivan tells Serge he likes the painting. Lines are drawn and these old friends square off over the canvas, using it as an excuse to batter one another relentlessly over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendships. At the breaking point, Serge hands Marc a felt tip pen and dares him: "Go on." This is where the friendship is finally tested and the aftermath of action, and its reaction, affirms the power of those bonds.

-

-

-

Faber and Faber, London, 1995

-

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-

-

-

0

-

-

2000

-

Faber and Faber, London, 2000

-

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Adaptation

3

3

-

Original Playwright - Yasmina Reza. (Paris, 1987)

Simon Weinberg is dead. And, on a November morning, six people gather at his funeral - brothers and a sister, lovers and in-laws. Mourning allows them a special privilege and, for a few hours, they are isolated in another world under a lingering sun, in the shadow of the deceased. Conversations after a Burial is a savage but richly comic play which explores that ineffable moment of mourning, when the newly deceased is still almost palpable, the moment in which one can maintain the memory of a breath, the intense pause between absence and the return to everyday existence, between loss and life.

Playhouse, New York

1971

-

Samuel French, NY, 1972

-

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-

Adaptation

3

4

1b 1g

Original Playwright - Henrik Ibsen. Based on a translation by Helene Gregoire

The final revolt of a wife who has been treated as a plaything by pompous husband.

Bristol

1972

-

Faber and Faber, London, 1973

-

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-

Adaptation

8

3

-

Original Playwright - Moliere, broadcast 1972

Usual story of nobleman parted from his riches

National, London

1978

-

Faber and Faber, London, 1978

-

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-

Adaptation

1

9

doubling

Original Playwright - Odon von Horvath

Don Juan, the notorious philanderer, is imagined as the last man standing - a survivor of the trenches now living in a world composed of women

Playhouse, La Jolla, CA

2001

-

-

-

Concept Album: GlobalVision Records

2007

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Musical

-

0

-

Adapted From "Dracula" by Bram Stoker. Music by Frank Wildhorn; lyrics by Don Black

Duke Of York's, London

2006

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Adaptation

2

1

-

adapted from novel by Sándor Márai. Translation by Carol Brown Janeway

the first half consists of anHungarian aristocratic general's fragmented memories of his lost youth and a second mostly a monologue directed at a friend who did or didn't betray him.
Benedict Nightingale, The Times

-

-

-

Faber and Faber, London, 1997

-

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-

Adaptation

9

2

-

Original Playwright - Henrik Ibsen

Lyric Theatre, London

1989

-

Faber and Faber, London, 1989

-

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-

Adaptation

-

0

-

Original Playwright - Odon von Horvath

young girl's struggle to survive in the socially and economically oppressed Germany of the thirties

Actor's Company on tour

1978

-

Samuel French, London, 1983

-

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-

Adaptation

3

2

-

Original Playwright - Henrik Ibsen

deals with the futile struggle to escape outdated ideals. A mother tries to shield her son from the moral and sexual lapses of his late father.

Gielgud, London

2008

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Play/Drama

2

2

-

Original Playwright - Yasmina Reza

Disruption lies at the heart of the play itself. Two ostensibly civilised couples meet to sort out a playground punch-up: the son ofAlain and Annette has broken two incisors of the son of their hosts, Michel and Véronique. At first, diplomatic niceties are observed. Gradually, however, tensions emerge between and among the couples. Alain, a cynical lawyer distractedly defending a dodgy pharmaceutical company on his mobile, irks his hosts and causes his wife to throw up. Meanwhile, Véronique, a moral crusader who has just done a book about Darfur, allows her mask to slip and exposes the hollowness of her marriage to Michel, who is a vulgar nihilist at heart. As she proved in Life x 3, Reza is an expert analyst of social hypocrisy; and her play, in Christopher Hampton's witty translation, starts out as a rancidly funny account of two couples tiptoeing around their mutual dislike. Ralph Fiennes's detached lawyer raises the roof as, tucking into his host's sweetmeat, he announces: "At least all this has given us a new recipe." And Janet Mcleer's Véronique reveals where her true values lie when she laments that Tamsin Greig's Annette has spewed up all over her priceless Kokoschka catalogue. Even Ken Stott, as the would-be pacifier Michel, turns out to a bruiser who has cruelly released his daughter's hamster into the Parisian streets.
- Michael Billington, Guardian

Stratford, Ontario

1970

-

Samuel French, NY, 1972

-

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-

Adaptation

3

4

-

Original Playwright - Henrik Ibsen

Appallingly comic spectacle of a claustrophobic and fragile world coming apart at the seams.

10 Sep 2009

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Adaptation

9

4

child and extras

Original Playwright - Odon von Horvath

Adapted by Christopher Hampton from Austrian playwright Ödön von Horváth's play, Judgment Day was written and is set in 1937, in a small village in Austria. Diligent railway station master Thomas Hudetz is a well respected member of his local community. That is until the charms of flirtatious young Anna distract him momentarily from the operation of the signals. There are no survivors from Express Train 405. The small town seeks a culprit but it seems only Anna knows the truth about the conscientious station master. Written during the rise of Fascism, the question of moral responsibility lies at the heart of Judgment Day.

Stratford-on-Avon

1985

-

Faber and Faber, London, 1985

-

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-

Adaptation

4

6

extras

novel by Choderlos de Laclos

A clever game of passion and manipulation, seduction and destruction.

2000

Royal National Theatre Company

Dramatists Play Service, NY,

-

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Adaptation

2

2

-

Original Playwright - Yasmina Reza

Henry and Sonia are having a difficult evening with Arnaud, their wakeful six-year-old son; but Henry has other worries. About to publish the results of two years' research on the flatness of galaxy halos, he's desperate to make a good impression on the distinguished astrophysicist Hubert Finidori, who wields a decisive influence over the question of Henry's longed-for promotion. So when Hubert arrives with his rebellious wife, Inez, in tow for dinner on the wrong night, the fact that there is no food in the apartment (merely an ample supply of Sancerre) is only one of the potentially disastrous elements in play. Add to this Hubert's often brutal treatment of Inez; his lust for Sonia; Inez's weak head for alcohol; Henry's discovery that rival scientists may have beaten him to the punch; Sonia's equivocal feeling of attraction towards Hubert; and the entirely unpredictable behavior of the invisible Arnaud—and the stage is set for a catastrophic unraveling of normal civilized behavior. But will it be this kind of catastrophe? Or that? Or, perhaps, worse still, will catastrophe be averted altogether?

London

1967

-

in "Plays of the Year 35", Elek, London, 1969

-

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-

Translation

-

0

-

Original Playwright - Isaak Babel; From a literal version by Michael Glenny and Harold Shukman

London

1981

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

-

-

0

-

written with Ronald Harwood

-

-

-

Faber and Faber, London, 1996

-

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-

Adaptation

-

0

-

Novel By Joseph Conrad

1970

-

Faber and Faber, London, 1970

-

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Bourgeois Comedy

-

4

3

-

-

Concerns a shy university professor's love life.

Mermaid, London

1982

-

Faber and Faber, London, 1983

-

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-

Adaptation

-

0

-

novel George Steiner

Paris

1980

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Adaptation

-

0

-

Original Playwright - Patrice Chereau and Ariane Mnouchkine

1973

-

Faber and Faber, London, 1974

-

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-

Play/Drama

9

1

Indians

-

Period 1963 to 1970, contrasts the publicity surrounding the murder of one diplomat with the silence over the slaughter of a hundred Brazilian Indians

2007

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Adaptation

-

0

-

Original Playwright - Anton Chekhov

Ian Rickson directs Christopher Hampton’s new version of Chekhov’s The Seagull in his final production as Artistic Director at the Royal Court.
The Theatre List

-

-

-

Faber and Faber, London, 1996

-

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-

-

-

0

-

Novel By Joseph Conrad

London

1976

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Adaptation

-

0

-

Original Playwright - Georges Feydeau and Maurice Desvalliers

Adelphi, London

1993

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Musical

-

0

-

Music by Andrew Lloyd Webber; Book by Don Black and Christopher Hampton; Lyrics by Don Black and Christopher Hampton; Based on the film by Billy Wilder

Setting: Los Angeles. 1949-50. Sunset Boulevard is a small scale musical based on the classic Billy Wilder movie about Hollywood illusions and delusions

Mark Taper Forum, Los Angeles

1983

-

Faber and Faber, London, 1983

-

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-

Comedy

12

6

-

-

Hollywood welcome in the 1930's for writers and artists fleeing Nazi Germany seen through the eyes of a playwright

London

1977

-

Faber and Faber, London, 1977

-

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-

Adaptation

10

12

-

Original Playwright - Odon von Horvath

2003

National Theatre Company

Samuel French, London, 2005

-

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-

Play/Drama

4

4

-

-

1983

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Play/Drama

-

0

-

-

London

1983

-

Faber and Faber, London, 1984

-

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-

Adaptation

8

5

-

Original Playwright - Moliere

Period 1664, the private rogue affects every pious excellence in public - until exposed, written in colloquial English blank verse

Playhouse , London

2003

-

Samuel French, London, 2005

-

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Play/Drama

-

0

Large Cast

Original Playwright - Anton Chekhov, New Version By Christopher Hampton, translation by Vera Liber

London

1968

-

Faber and Faber, London, 1969

-

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Historical drama

Historical

10

5

extras

Arthur Rimbaud, Paul Verlaine.

Traces relationship between Rimbaud and Verlaine the French symbolist poets.

1976

-

Faber and Faber, London, 1976

-

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-

Play/Drama

2

1

-

-

consists of the permutations and combinations of Ann and her two lovers

London

1970

-

in "Plays of the Year 39", Elek, London, 1971

-

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-

Adaptation

6

4

-

Original Playwright - Anton Chekhov; Translated by Nina Froud

story of an uncle in love with a young lady who is married to an old and ill man, she is attracted to the doctor who attends her husband

-

-

-

Faber and Faber, London, 1998

-

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-

Adaptation

1

1

-

Original Playwright - Yasmina Reza

Two strangers on a train. One is a famous author, the other a great admirer of his. Will she have the nerve to bring his latest book out of her bag and read it? Or better yet, will she have the nerve to speak to him? In searching monologues, author and admirer reveal the rich unpredictability of their inner lives, and a journey that began simply as a trip from Paris to Frankfurt becomes an adventure of the mind.

Oxford

1966

-

Faber and Faber, London, 1967

-

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-

Play/Drama

3

2

-

-

straight and gay share a flat, the quest for privacy in sexual encounters results in death and understanding

1991

-

Faber and Faber, London, 1991

-

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-

Play/Drama

16

1

-

-

London

1979

-

Faber and Faber, London, 1980

-

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-

Adaptation

18

3

extras

Original Playwright - Henrik Ibsen

greatest account ever written of the destructiveness of missionary zeal