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Thomas Middleton

THOMAS MIDDLETON   (1580 - 1627)

Nationality:   British    Email:   n/a   Website:   n/a

Literary Agent:  n/a

Please send me a biography and information about this Playwright
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Adaptation / Translations of Plays by Thomas Middleton

EDWARD BOND  

Chaste Maid In Cheapside, A

1st Produced:

London

1966

Organisations:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#3854

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

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abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

-

Female

0

Parts other:

-

Notes:

Original Playwright - Thomas Middleton

Synopsis:

Further Reference:

-


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MALCOLM MCKAY  

Chaste Maid In Cheapside, A

1st Produced:

Shakespeare's Globe, London >>>

- - -

Organisations:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#50303

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

-

Female

0

Parts other:

27 Characters played by cast of about 16

Notes:

Original Playwright - Thomas Middleton

Synopsis:

A comedy set on the wide street of Cheapside, London in Lent in the early 1600's it has often been described as one of the funniest satirical city plays, with its rambunctious and wild cast of Lord, Ladies, villains, cheats and whores. The play interweaves a series of plots and extraordinary set pieces to mercilessly mock the inability of learning or religion to overcome the old appeal of sex and money

Further Reference:

-


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SEAN FOLEY  

Mad World My Masters, A

1st Produced:

Stratford-Upon-Avon: The Swan Theatre, England, EUR >>>

06 Jun 2013

Organisations:

n/a

1st Published:

Oberon Books (2013) >>>

ISBN/ASIN:

978-1783190195

Music:

-

doollee no

#151741

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

adaptation

Parts:

Male

15

Female

6

Parts other:

extras

Notes:

Original Playwright - Thomas Middleton. Adapted by Sean Foley and Phil Porter

Mad World My Masters, A

Thomas Middletons outrageous city comedy: a brilliantly plotted, farcical satire of lies and lust, translated from Jacobean London to the Soho of the 1950s. A dashingly impecunious bachelor, Dick Follywit, in need of quick cash and a good time has to live on his wits so turns con-man to fool his rich uncle. He variously becomes a Lord, a high-class call girl and a poor actor. Meanwhile, Truly Kidman, a high-class call girl  poor but quick-witted  needs to fool and then marry a rich young man. . .Sean Foley and Phil Porters edited version of Middletons play is faithful to the original text but adapts it to fit the seedy world of 1950s Soho, updating character names and including songs of the time to enhance the biting satire of lust and deception in the life of Bohemian London.

Further Reference:

-


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PHIL PORTER  

Mad World My Masters, A

1st Produced:

Stratford-Upon-Avon: The Swan Theatre, England, EUR >>>

06 Jun 2013

Organisations:

n/a

1st Published:

Oberon Books (2013) >>>

ISBN/ASIN:

978-1783190195

Music:

-

doollee no

#151743

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

adaptation

Parts:

Male

15

Female

6

Parts other:

extras

Notes:

Original Playwright - Thomas Middleton. Adapted by Sean Foley and Phil Porter

Mad World My Masters, A

Thomas Middletons outrageous city comedy: a brilliantly plotted, farcical satire of lies and lust, translated from Jacobean London to the Soho of the 1950s. A dashingly impecunious bachelor, Dick Follywit, in need of quick cash and a good time has to live on his wits so turns con-man to fool his rich uncle. He variously becomes a Lord, a high-class call girl and a poor actor. Meanwhile, Truly Kidman, a high-class call girl  poor but quick-witted  needs to fool and then marry a rich young man. . .Sean Foley and Phil Porters edited version of Middletons play is faithful to the original text but adapts it to fit the seedy world of 1950s Soho, updating character names and including songs of the time to enhance the biting satire of lust and deception in the life of Bohemian London.

Further Reference:

-


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JESSE BERGER  

Revenger's Tragedy, The

1st Produced:

New York

2005

Organisations:

n/a

1st Published:

Dramatists Play Service, NY, 2007

ISBN/ASIN:

-

Music:

-

doollee no

#63438

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

freely adapted Adaptation

Parts:

Male

15

Female

4

Parts other:

flexible

Notes:

Original Playwright - Thomas Middleton, Cyril Tourneur or Anonymous, incorporating material from the writings of Francis Bacon, John Donne, Thomas Kyd, John Marston, William Shakespeare and John Webster

Synopsis:

This mesmerizing Jacobean thriller, written a few years after Hamlet, is a searing examination of humankinds social need for justice and our animal desire for vengeance. Vindice, the Revenger, sets off a chain reaction of havoc in a corrupt and decadent Venice, which exposes outrageous indulgences and government hypocrisy, and ends in a coup de theātre massacre of epic proportions. Part black comedy, part social satire, the play is a gleefully macabre plot-twisting blender full of Shakespeares greatest hits.

Further Reference:

-


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KATIE MCALEESE  

Revenger's Tragedy, The

1st Produced:

Theatre Underground, London

2004

Organisations:

Colision

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#42074

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

7

Female

3

Parts other:

-

Notes:

Original Playwright - Thomas Middleton

Synopsis:

15/948

Further Reference:

-


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MEREDITH OAKES  

Revenger's Tragedy, The

1st Produced:

Southwark Playhouse, London, Eur >>>

07 Mar 2006

Organisations:

Doublethink Theatre & Halflight

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#50541

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

12

Female

4

Parts other:

-

Notes:

Original Playwright - Thomas Middleton

Synopsis:

A tale of vengeance, violence and lust n the finest traditions of Jacobean tragedy. As he holds the skull of his beloved - who rejected the licentious old Dukes advances and so was poisoned - Vindice plots the Dukes grotesque murder. But in a court where adultery, rape and incest are the norm, his vengeance does not stop there. An orgy of ritualistic, even playful, bloodletting follows.

Further Reference:

-


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HOWARD BARKER  

Women Beware Women

1st Produced:

Royal Court Theatre, London >>>

1986

Organisations:

n/a

1st Published:

Calder & Boyers, London, 1986

ISBN/ASIN:

-

Music:

-

doollee no

#1973

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

-

Female

0

Parts other:

-

Notes:

Original Playwright - Thomas Middleton

Synopsis:

Further Reference:

-


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JESSE BERGER  

Women Beware Women

1st Produced:

Theatre at St. Clement's, 423 West 46th Street, New York, NY 10036 >>>

2008

Organisations:

Red Bull Theater

1st Published:

Dramatists Play Service, NY, 2009

ISBN/ASIN:

978-0-8222-2367-2

Music:

-

doollee no

#93003

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

8

Female

4

Parts other:

flexible

Notes:

Original Playwright - Thomas Middleton

Synopsis:

Thomas Middleton's rarely performed masterwork of Jacobean juiciness, Women Beware Women, a scathing social satire of sexual politics, with a spectacular tragicomic denouement, continues Red Bull Theater's exploration of the seldom-seen classics of Shakespeare and his contemporaries. Women Beware Women speaks with a shockingly contemporary voice about sexual politics and women's rights, even as it is a playful parody of serious sexual games, ultimately showing a society imploding under the pressure of sexual manipulation, victimization, and gender inequality
- press release

Further Reference:

-


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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.