n/a

2002

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I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

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Play/Drama

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0

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2002

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Methuen Drama, London >>>, 2002

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If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

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Play/Drama

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Condemned by the mother of Jamie Bulger and acclaimed by the critics - for tackling the subject of child killers - this is the controversial new play from the winner of the Sunday Times Playwriting Prize 2001. Few kids have a secret as chilling as Timmy's. Stephanie loves Raquel to death. Acutely topical, darkly satirical and brutally uncompromising - these two monologues explore the shattering of childhood innocence. "The play opens up a moral minefield. Who can, or should, consent to what? Can anyone consent to something on the behalf of another? What power can anyone, a person or a community, have over the mind and life of another? Morris's play sends you out in a state of moral turbulence." (John Peter, Sunday Times)

2006

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Oberon Books, London >>>, 2006

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If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

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Play/Drama

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What if bed-hopping among university students was not just inevitable, but mandatory? A sexy radical girl, an over-sexed jock and an ancient professor of Ancient Greek discover that with the lights off, a serious attempt to end discrimination can also be a very dirty joke.

The Belt, NYC

2003

Oberon Books, London >>>, 2006

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If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

music-theatre documentary

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3

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Play by Steven Cosson, music and lyrics by Michael Friedman, additional text by Peter Morris

An investigation of loss, grief and the construction of memory told through actual stories about lost and found objects, juxtaposed with eight original songs exploring the musical landscape of absence

2005

Mahwaff Theatre Company

Dramatists Play Service Inc, NY, 2007

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If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

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Play/Drama

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1

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a fictional account inspired by prominent true scandals of the Iraq War: the Abu Ghraib/Lynndie England affair and the publication by the British paper The Daily Mail of fake torture photos, which led to the resignation of its editor. This twin scandal and the eerie collision of Britain and America raise troubling questions about torture and accountability in the U.S. Army and the responsibility of journalists during wartime

Soho Rep

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I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

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Play/Drama

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LAMDA, London

2004

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I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

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Musical

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"Setting The Yeomen of the Guard score to new lyrics, Peter Morris has created a political satire based on the premise that Sir Oswald Mosley became prime minister in 1936. The result is a topsy-turvy view of British history that is as intellectually flawed as it is impressively executed. The problem with an anti-fascist musical is that form and content don't match. While it is possible to swallow Morris's premise that a Mosley premiership would have led to the execution of Virginia Woolf and the imprisonment of TE Lawrence, there comes a point when the smile freezes on one's lips: for me that is reached when Mosley sets up the Swansea Conference, clearly based on the Wannsee Conference which authorised Nazi genocide. Morris implies that the anti-semitism which poisoned British 1930s life is still active today. But the musical form gives a sheen to the fascism he deplores. And, although Morris claims to find in Sullivan's music a portentous nationalism, what I hear is a rippling melodic invention. Only in the transformation of "I have a song to sing-o" into a defiantly working-class anthem does the ironic contrast between music and lyrics pay off. ", Guardian

2003

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I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

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Piece

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Part of Tell Tales

2002

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I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

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Union Theatre, London

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I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

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Play/Drama

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2000

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I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

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premiered in 2001 for the inaugural season of the new Market Theater on Harvard Square. (This play was also awarded the 1998 International Student Playscript Prize, given by Sir Alan Ayckbourn.)