n/a

Dixon Hall; Tulane University, New Orleans

1955

-

in 27 Wagons Full of Cotton and Other One Act Plays, New Directions, NY, 1946

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If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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One Act

2

1

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In order to boost his own cotton ginning business, Jake Meighan sets the local Syndicate Plantation ablaze. The superintendent of the Syndicate Plantation sends over 27 wagons full of cotton for ginning, and turns aside his suspicions that Jake is the arsonist in exchange for apparent sexual favors from Jake's wife, Flora.

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in Mister Paradise and Other One Act Plays, Samuel French, London, 2006

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If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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play

One Act

1

2

-

-

Here, Tennessee Williams gives a comic portrait of D.H. Lawrence as someone who functions as an analyst for repressed women. As he sits embroidering on the porch of his villa, Lawrence is visited by Miss Ariadne Peabody. Adopting a Sherlock-Holmesian intuition, Lawrence divines that spinsterish Miss Peabody met a man aboard a ferry, he propositioned her, but in her passionate excitement she forgot his name and where they were to meet. Happily, Lawrence helps Miss Peabody recover her memory.

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Dramatists Play Service, NY,

-

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short plays collection

One Act

-

-

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MOONY'S KID DON'T CRY. A short play about a worker, his wife and child. (1 man, 1 woman.) THE DARK ROOM. A tragic sketch about an Italian woman and a welfare worker. (1 man, 2 women.) THE CASE OF THE CRUSHED PETUNIAS. A delightful, humorous playlet. (2 men, 2 women.) TEN BLOCKS ON THE CAMINO REAL. A lyrical fantasy. (13 men, 3 women, 10 dancers, flexible casting) THE LONG STAY CUT SHORT, OR, THE UNSATISFACTORY SUPPER. A moving sketch about an old servant. (1 man, 2 women.)

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in Mister Paradise and Other One Act Plays, Samuel French, London, 2006

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If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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play

One Act

4

-

-

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Candy Delaney is a successful New Orleans interior decorator and landlord who is also a drag queen approaching "her" ~ birthday. On the rebound from a seventeen-year relationship, Candy has picked up a rough, vicious sailor, Karl, on whom she lavishes money. On the day of the dreaded birthday, Karl walks out and it's left to the two queens who live upstairs, Alvin and Jerry, to comfort Candy.

New York

1968

-

in American Scenes, ed William Kozlenko, Day, NY, 1941

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-

One Act

-

2

-

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Drama about a trapped, frustrated Mississippi actress dying of consumption

New York

1947

-

in 27 Wagons Full of Cotton and Other One Act Plays, New Directions, NY, 1946

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

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One Act

1

3

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A young postal worker struggles with his sexual repression. His frustration ends in an attack on a female boarder in the cottage and the eventual burning of the cottage, his mother, and the female boarder.

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I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

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Play/Drama

-

-

-

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Wilbur Theater. Boston, Mass

1940

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Pharos-New Directions, Murray, Utah, 1945

-

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Play/Drama

11

11

-

revised as Orpheus Descending (produced 1957)

As in its later, and substantially rewritten version (entitled Orpheus Descending) the play deals with the arrival of a virile young drifter, Val Xavier, in a sleepy, small town in rural Mississippi. Taking a job in a store his smouldering animal magnetism draws out the latent sexual passion in the love starved store keeper, whilst her husband lies dying upstairs. A sense of inevitable tragedy grows and there is a denouement of overwhelming and chilling intensity.

The University of Missouri at Columbia

1930

-

-

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I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

Play

One Act

2

3

-

-

The play concerns the life of a South Pacific missionary, his wife, their servant and the wife's niece and her husband.

-

-

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in Mister Paradise and Other One Act Plays, Samuel French, London, 2006

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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play

One Act

6

2

-

-

Tony, a vigorous young footballer, is about to be discharged from the men's ward. In contrast, the other two occupants are a terminally ill youth, Dave, and Walton, a middle-aged patient about to undergo surgery for a brain tumour. When Tony leaves, Walton introduces Dave to the concept of eternity by looking at the stars. Walton dies during the operation and the play ends with Dave, alone, contemplating the stars.

Rose Arbor Playhouse; Memphis, Tennessee

1935

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

Play

One Act

2

2

-

The manuscript is not published, and the short descriptions allude the possibility of two female prostitutes, but it is not clear if the sailors ever meet them.

The first of William's plays to be academically produced. Two sailors look for two prostitutes while on shore leave.

New York

1953

-

New Directions, 1953

978-0811218061

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-

Fantasy

26

10

extras, doubling possible

revised version of Ten Blocks on the Camino Real

In this phantasmagorical play, the Camino Real (pronounciation: Cá-mino Réal) is a long highway, a dead end, a police state in a vaguely Latin American country, a nightmare, and an inescapable condition. Characters from history and literatureDon Quixote, Casanova, Camille, Lord Byroninhabit a place where corruption, starvation, indifference and greed have immobilized anyone who tries to escape. Then, into this netherworld, the archetypal Kilroy arrivesa sailor and all-American guy with "a heart as big as the head of baby." Like others before him in the Camino Real, Kilroy is robbed, conned, turned into a patsy, and he very nearly breaks...but not quite. When this experimental epic opened on Broadway in 1953, it confounded the critics, but not the audiences. The play's iconic/ironic humor, playful conceits, and towering concerns about society's demand for conformity, the courage of the artist, and the power of compassion have made it a classic.

Wednesday Club Auditorium. St. Louis, MO

1937

-

New Directions Publishing Corporation (August 30, 2004)

978-0811215749

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10 scenes

Play/Drama

11

6

-

Williams has a nervous breakdown after working at the International Shoe Company in St. Louis. He recovers in Clarksedale, Mississippi at his maternal grandparents' home and writes Candles, which he submits to the Dramatists Guild Contest in New York. He attends the University of Washington where he befriends a group of student and poets and finds himself highly influenced by the poetry of Hart Crane.

The first full-length play by novice playwright Thomas Lanier Williams to be produced, Candles to the Sun was premiered by The Mummers, a semi-professional and socially aware theatre troupe in St. Louis on March 18, 1937, and received rave reviews in the local press. Set in the Red Hills coal mining section of Alabama and dealing with both the attempts of the miners to unionize and the bleak lives of their families, the play, according to St. Louis Star-Times critic Reed Hynds, is "an earnest and searching examination of a particular social reality set out in human and dramatic terms."

Cleveland

1957

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in American Blues: Five Short Plays, Dramatists Play Service, NY, 1948

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One Act

2

2

-

-

Delightful, humorous comedy-fantasy

The Morosco Theatre. New York City

1955

-

New Directions, New York, 1955

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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-

Play/Drama

8

5

4c

-

In a plantation house, a family celebrates the sixty-fifth birthday of Big Daddy, as they sentimentally dub him. The mood is somber, despite the festivities, because a number of evils poison the gaiety: greed, sins of the past and desperate, clawing hopes for the future spar with one another as the knowledge that Big Daddy is dying slowly makes the rounds. Maggie, Big Daddys daughter-in-law, wants to give him the news that shes finally become pregnant by Big Daddys favorite son, Brick, but Brick wont cooperate in Maggies plans and prefers to stay in a mild alcoholic haze the entire length of his visit. Maggie has her own interests at heart in wanting to become pregnant, of course, but she also wants to make amends to Brick for an error in judgment that nearly cost her her marriage. Swarming around Maggie and Brick are their intrusive, conniving relatives, all eager to see Maggie put in her place and Brick tumbled from his position of most-beloved son. By evenings end, Maggies ingenuity, fortitude and passion will set things right, and Bricks love for his father, never before expressed, will retrieve him from his path of destruction and return him, helplessly, to Maggies loving arms

-

-

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in Traveling Companion and other Plays, Samuel French, Inc - New York (2009) >>>

978-0811-21708-8

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Play

One Act

-

-

-

-

-

-

-

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in Plays in One Act, Harper Collins,
in Traveling Companion and other Plays, Samuel French, Inc - New York (2009) >>>

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Play

One Act

2

-

-

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Sc-fi post nuclear war and will your boyfriend sell you out to the authorities - if the price is right? Yes.

Cafe La MaMa, NY, USA >>>

1964

-

-

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I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

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-

-

-

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written by Gerald Schoenwolf and Tenessee Williams

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Washington, D. C.

1980

-

Samuel French, London,

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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Ghost Play

-

13

14

-

-

The play begins outside the North Carolina asylum where Zelda Fitzgerald is receiving treatment for her mental disorder. She is visited by her husband, Scott, now reduced to hack writing in Hollywood and trying desperately to control his drinking. Their meeting is deeply disturbing for them both, and as Scott realizes that Zelda will never recover, the action shifts to a series of flashbacks which illuminate the causes of their sad plight. We see them in younger, happier, but inescapably destructive daysshe in a tempestuous affair with a young French aviator; he matching wits with an acerbic Ernest Hemingway. And, throughout, the drinking, the wild extravagance, and the steady erosion of talent and potential. In the end we are back at the hospital, sure of what must come, but moved by the memory of what once was

-

-

-

-

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I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

-

-

-

-

-

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Spoleto Festival, Charleston, South Carolina

1978

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-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

2 scenes

One Act

-

4

-

Creve Coeur is the title of work as presented at Spoleto Festival. Title changed to A Lovely Sunday for a Creve Coeur for NY production

Four very different women cross paths on a Sunday morning. Dorothea is thinking of moving out of the apt that she shares with Bodey so she can better entertain her lover the principal at the school she teaches at. When she discovers he is engaged to another woman, she decides to stay with Bodey.

London

1966

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in American Blues: Five Short Plays, Dramatists Play Service, NY, 1948

-

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-

One Act

1

2

-

-

Tragic sketch about an Italian woman and a welfare worker

-

-

-

in Traveling Companion and other Plays, Samuel French, Inc - New York (2009) >>>

978-0811-21708-8

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Play

One Act

-

-

-

-

-

Carnaby Street Theatre, London

1976

-

in "The Theatre of Tennessee Williams VI", New Directions, New York, 1981

-

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Play

One Act

2

4

-

The play was produced along with The Lady of Larkspur Lotion

Two families attempt to cope with life in a post-revolutionary America

Nyack, NY

1964

-

New Directions, New York, 1965

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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-

Play/Drama

5

5

-

revised version of Summer and Smoke

The action takes place in Glorious Hill, Mississippi, shortly before the First World War. Alma Winemiller, a sensitive and lonely young woman, has become increasingly restive and disturbed by the fear that she will remain a spinster. Hemmed in by her stern minister father, and her deranged mother, she makes a final, and almost desperate attempt to win the man of her choicea young doctor whose social-climbing mother frowns on his attachment to Alma. The play centers on the complex relationship between these two; her touching attempts to sway his emotions; and his uncertainty as to where his heart should lead him. In the end there is to be only one truly beautiful moment between themfor neither can break the ties of family and position which draw them apart and which, inevitably, defeat Alma's hopes for a new and fuller life.

-

-

-

in Theatre, NY, 1959

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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-

-

-

-

-

-

-

-

-

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in Mister Paradise and Other One Act Plays, Samuel French, London, 2006

-

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play

One Act

3

-

-

-

Three prisoners in a bunk-house play cards and listen while their ceilmate makes a run to the railtracks with guards and dogs in hot pursuit. Finally, they hear gunshots but when they see the guards return with a body they believe Billy's free at last.

-

-

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in Mister Paradise and Other One Act Plays, Samuel French, London, 2006

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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play

One Act

2

1

-

-

It's New Year's morning 1938. Vera and her husband Joe, an influential theatre producer, are returning from a party, at which a young playwright, Dennis Merriwether, has paid great court to Vera. Rather than compromise his art, Dennis has decided to quit New York for Acapulco and wants Vera to accompany him. But Vera sends him away; she is, after all, the fat man's wife.

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-

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Samuel French, London,

-

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-

One Act

4

2

-

-

The setting is the street facade of a low-priced Miami hotel of the sort which caters to aged pensioners. It is morning and the old men at the Ponce de Leon Hotel gather to watch the daily line-up of oldsters at the cut-rate restaurant across the street, chuckling at the thought of the consternation that will result when the doors open and the waiting customers discover that prices have been raised. But then a sad note is struckone of their fellow guests has passed on, leaving a blind and helpless husband. But it is a loss that none will face squarely, for the nearness of death is what all of them must live with and joke about. For are they not all living in frosted glass coffins, through which light, and life, can just barely be perceived?

St Louis

1937

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

-

-

-

-

-

-

New York

1958

-

New Directions, New York, 1958

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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-

Play/Drama

-

-

-

includes Something Unspoken, Suddenly Last Summer

Civic Theatre. Chicago, IL

1944

-

Random House, NY, 1945

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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-

Play/Drama

2

2

-

-

Amanda Wingfield is a faded, tragic remnant of Southern gentility who lives in poverty in a dingy St. Louis apartment with her son, Tom, and her daughter, Laura. Amanda strives to give meaning and direction to her life and the lives of her children, though her methods are ineffective and irritating. Tom is driven nearly to distraction by his mother's nagging and seeks escape in alcohol and the unrealistic world of the movies. Laura also lives in her own illusions. She is crippled, and this defect, intensified by her mother's anxiety to see her married, has driven her more and more into herself. The crux of the action comes when Tom invites a young man of his acquaintance to take dinner with the family. Jim, the caller, is a nice ordinary fellow who is at once pounced upon by Amanda as a possible husband for Laura. In spite of her crude and obvious efforts to entrap the young man, he and Laura manage to get along very nicely, and momentarily Laura is lifted out of herself into a new world. But this crashes when, toward the end, Jim explains that he is already engaged. The world of illusion that Amanda and Laura have striven to create in order to make life bearable collapses about them. Tom, too, at the end of his tether, at last leaves home.

-

-

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Dramatists Play Service, NY,

-

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Tragi Comedy

One Act

3

3

-

-

As outlined in Variety: "THE GNADIGES FRAULEIN (translatable as 'The Gracious Lady') is the justification of the word 'Slapstick' in the overall title. It's a far-out tragic-comedy in the genre of the Theatre of the Absurd, with a touch of the Theatre of Cruelty. It's quite funny at times, though basically and finally sad. The scene is a rickety bunkhouse, for 'permanent transients' in a place called Cocaloony Key, obviously off the southern tip of Florida. The characters include a kooky society gossip columnist, the frowsy crone who runs the place, a demented former Viennese vaudevillian, a Cocaloony bird (evidently a local name for a pelican) and a tomahawk-brandishing, war-whooping, blond-wigged Indian." The interplay of these characters, antic in both appearance and behavior, forms the heart and meaning of the play. Sometimes funny, sometimes sad, it becomes both fascinating and deeply affecting as the underlying humanity of each "grotesque" is made real through what they are, and do, and what happens to them.

-

-

-

in Traveling Companion and other Plays, Samuel French, Inc - New York (2009) >>>

978-0811-21708-8

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Play

One Act

-

-

-

-

-

Wednesday Club Auditorium by The Mummers (an amateur theatre group in St. Louis, Mo.)

1936

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Sketch

-

-

-

-

Plea for pacificism, prepared as a curtain raiser for Irwin Shaw's "Bury the Dead." Four short black-out bits. One involves an Armitise Day speech by a local senator, a send-up of a legendary politician and two short skits about local school and social life.

Bromley, Kent, UK

1961

-

in 27 Wagons Full of Cotton and Other One Act Plays, New Directions, NY, 1946

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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Play

One Act

-

4

-

PBS TV February 6, 1961

A prostitute suffers schitzoid dillusions while grasping on to her past loves. She is stricken with "acquired" diseases.

University of Missouri

1932

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

Play

One Act

1

1

1 infant

This work was adapted to become Moony's Kid Don't Cry.

"A man who formerly worked in the forests and now holds a monotonous job rebels against the added burdens of a new baby and a nagging wife. . .He accuses his wife of forcing him into marriage and is about to walk out on her when she shoves the sick baby into his arms. . .His rebellion is forgotten" Williams, Edwina Dakin. Remember Me To Tom

New York

1981

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Play/Drama

3

3

-

Nov. 8-23, 1980. One-act 'workshop version,' titled "Some Problems for the Moose Lodge." Performed as one of three one-act plays comprising the program "Tennessee Laughs." Goodman's Studio Theatre. Chicago. Directed by Gary Tucker. With Les Podewell as Cornelius, Marji Bank as Bella, Scott Jaeck as Charlie, and Rachel Stephens as Jessie.

Semi-autobiographical drama about the physical and emotional decline of a married Mississippi couple.

Bar Harbor, ME

1971

-

in "Dragon Country", New Directions, New York, 1970

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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Play

One Act

1

1

-

televised 1970

There are only two characters, a man and a woman. She is ill, perhaps mortally so, and living alone in her dark house. The man, her only friend and equally solitary, dreads returning to the airless hotel room that has become his home. He tries to reach out to her, to help her, but it is too difficult, perhaps too late, for her to respond. Their confrontation, sometimes gentle, sometimes tense, becomes a revealing and moving emotional experience as they accept the need to face alone the terrors that might be more easily met together

New York

1953

-

New Directions, New York, 1951

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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-

One Act

1

2

-

-

The author refers to his work as "imaginary." The basic facts, however, are well known. There are three characters, Lawrence himself, Frieda and Bertha Brett, and the scene is a sunporch at a small retreat in the Alpes Maritimes. We see Lawrence at the very end of his career, in fact the very day he dies, and recognize him as the erratic, inspired, ill-tempered genius who was never able to come to terms with life. Yet he stands revealed here as the man who, in Mr. Williams' words, "& felt the mystery and power of sex, as the primal life urge, and was the life-long adversary of those who wanted to keep the subject locked away in the cellars of prudery."

Eastside Playhouse. New York City

1969

-

Dramatists Play Service, NY, 1969

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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Play

One Act

3

2

-

-

As Clive Barnes outlines: "Superficially the play is about the painterfamous, rich and lostand his wife, who find themselves in a Tokyo hotel. The wife, wildly promiscuous, tries to seduce the Japanese barman in the hotel bar. The artist is in his room, naked on a canvas with a spray-gun, trying to develop a new technique, almost confident that he has invented color. Almost confident, but not quite, for he lacks confidence the way an anemic man lacks blood. The artist, in the final stages of some spiritual or physical dissolution, at last joins his wife in the bar. But she has sent to Manhattan for his picture dealer and friend. She then goes out, presumably to find a man. A few days later the dealer arrives in Tokyo. The wife, determined to be free, tries to persuade the friend to take the artist back to New York, under sedation if necessary. But the artist foils her plans by dying. Suddenly, with the bleakness of loss, she finds that she too has nowhere to go."

New York

1968

-

in "Esquire", New York, February, 1967

-

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Comedy/Drama, 2 acts

Comedy

2

1

Chicken, Lot and Myrtle

Produced in New York as The Seven Descents of Myrtle

Lot is a weak and ailing youth who suffers from an attachment to the memory of his late mother. He has come to his ancestral home, a derelict house on the edge of a soon to be flooded river, with his new bride, Myrtle, a television actress. Somewhat reminiscent of Blanche Dubois from Williams's classic play A Streetcar Named Desire, Myrtle is a luckless young woman trapped in a world of romantic illusions, one of which is to nurse Lot back to health so they can consummate their marriage. Myrtle soon discovers, however, that Lot only wants to use her to steal the deed to the property from his embittered half-brother, Chicken, a Stanley Kowalski type, brimming with masculinity and assertiveness&and a few romantic plans of his own.

New York

1980

-

in Traveling Companion and other Plays, Samuel French, Inc - New York (2009) >>>

978-0811-21708-8

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Outrage For The Stage

One Act

-

-

-

-

New York

1947

-

in 27 Wagons Full of Cotton and Other One Act Plays, New Directions, NY, 1946

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Sketch

One Act

1

2

-

-

Powerful sketch about derelicts

Laboratory Theatre (Los Angeles, CA)

1947

-

in 27 Wagons Full of Cotton and Other One Act Plays, New Directions, NY, 1946

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Play

One Act

3

-

-

-

A character cketch about a salesman

Ensemble Studio Theatre (New York, NY)

1979

-

in "The Theatre of Tennessee Williams VII", New Directions, New York, 1981

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Play

One Act

2

2

-

-

A married couple, in their nineties, are aboard a cruise ship. Their difficulties with life preservers, and basically life in general, are explored.

New School for Social Research (New York, NY)

1940

-

in 27 Wagons Full of Cotton and Other One Act Plays, New Directions, NY, 1946

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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Play

One Act

7

2

-

-

Dream play set in a mid-western American city about a man's memories of his fallen sister

London

1971

-

in American Blues: Five Short Plays, Dramatists Play Service, NY, 1948

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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-

One Act

1

2

-

-

Moving sketch about an old servant

New York

1947

-

in 27 Wagons Full of Cotton and Other One Act Plays, New Directions, NY, 1946

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

-

One Act

1

3

-

-

A romantic story involving the poet

Spoleto Festival (Charleston, South Carolina)

1979

-

New Directions, New York, 1980

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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-

Play/Drama

-

4

-

-

The time is 1935, the place St. Louis, where Dorothea, a youngish high school teacher, rooms with Bodey, a plain but kind-hearted German-American spinster. Hopelessly romantic, Dorothea dreams of marriage with her sometime beau, the principal of the school, and Bodey, in an attempt to spare her feelings, hides the morning newspaper, which carries a notice of the principal's engagement to another. Bodey also hopes to make a match between Dorothea and her fat, cigar-smoking brother, and tries to persuade Dorothea to join them for a picnic at Creve Coeur, a nearby amusement park. Their departure is delayed by the arrival of Helena, a snobbish, tart-tongued art teacher, who wants Dorothea to share an apartment with her in a better part of town. Inevitably, a struggle evolves between Bodey and Helena, with Dorothea, lost in her dream world, caught between them. In the end reality shatters Dorothea's fond hopes, and brings her rudely back to earthbut not without clear evidence that, somehow, she will find the strength to recover and go on.

St Louis

1936

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

Play/Drama

-

-

-

-

-

-

1937

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

One Act

-

-

-

-

-

Spoleto, Italy

1962

-

New Directions, New York, 1964

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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Comedy about death

-

6

4

doubling

-

As George Oppenheimer describes "We first encounter Mrs. Goforth in one of her three villas on the southern coast of Italy frantically endeavoring to complete her memoirs before her death. However, there is still life in the old girl as she bullies her attractive female secretary, spits venom at a visitor whom she dubs "the witch of Capri," makes propositions to a handsome young itinerant poet over half her age, and dictates night and day, either to the secretary or to any number of tape recorders scattered about the premises, her vapid and ridiculous memories which she believes will form an important social commentary& To the triple homes of Mrs. Goforth comes Chris Flanders, the young poet, who because of his past presence in the company of so many elderly women at the time of their deaths has won the mocking nickname of "the angel of death." At first we take him to be, as does Mrs. Goforth, a hustler who is willing to sell his poems, his mobiles, or his body to susceptible and lonely ancients. To Mrs. Goforth, who has lived a full and promiscuous life and is in mortal fear of relinquishing it, Chris comes as an answer to a carnal prayer, a last fling before she is forced to face ultimate loneliness. Then she discovers that he is unwilling to give in to her seductions at any price, that his is a spiritual nature which seeks only to allay her fears and soothe her pain. Until almost the very end she refuses to believe in his virtue. Her life has been so hedged in viciousness that she cannot accept readily anything but venality."

-

-

-

in Mister Paradise and Other One Act Plays, Samuel French, London, 2006

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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play

One Act

1

1

-

-

A wealthy, eager college girl makes a surprise visit to the eponymous Mister Paradise in his squalid New Orleans surroundings. Having discovered a book of his poetry written 15 years earlier, she is determined to make him famous. Horrified, he explains that "Gabriel has not yet blown the horn" and that Anthony Paradise, his pen-name, will only be famous when Jonathan Jones is dead. They part, he telling her to watch the obituaries, she promising that his future is safe in her hands.

Los Angeles

1946

-

in American Blues: Five Short Plays, Dramatists Play Service, NY, 1948

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

-

One Act

1

1

1 infant

Hotmilk at Three in the Morning is so similar to Moony's Kid Don't Cry that they are often refered to as the same work

"A man who formerly worked in the forests and now holds a monotonous job rebels against the added burdens of a new baby and a nagging wife. . .He accuses his wife of forcing him into marriage and is about to walk out on her when she shoves the sick baby into his arms. . .His rebellion is forgotten" Williams, Edwina Dakin. Remember Me To Tom

-

-

-

in Mister Paradise and Other One Act Plays, Samuel French, London, 2006

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

play

One Act

2

1

-

-

In a Spanish-speaking dictatorship, a clerk, who has been condemned to death, asks a student the way to the Municipal Abattoir. The student tells him to save himself but the clerk says he can't because he's been a Municipal Employee too long to disobey. The student changes tack and orders the clerk to take his gun and shoot the general as his motorcade passes by. But the clerk is too cowed and finally asks the audience the way to the abattoir.

-

-

-

Dramatists Play Service, NY,

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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Drama

One Act

9

4

chorus

Produced on Broadway as a double bill with THE GNADIGES FRAULEIN under the omnibus title of SLAPSTICK TRAGEDY. A haunting, compassionate study of the lonely and maimed of this world, and the painful adjustments which they must make in reconciling themselv

As described in Variety: "is about a pair of alternately friendly and quarrelsome floozies in a fleabag hotel in the French quarter of New Orleans in the 1930s. Margaret Leighton plays the one who has inherited an income just sufficient to give her pretensions and keep her supplied with wine. Kate Reid plays a raucous hag just out of jail on a shoplifting charge. The would-be genteel lady is morbidly sensitive about being physically mutilated, having had a breast removed. Her harpy companion, Williams seems to be saying, is spiritually deformed, having suffered the cruelty of fellow humans. The implication is that all of us are maimed in some form or other. The play is written as a sort of Christmas parable, with a chorus of incidental characters singing hymns resembling carols. To project the idea further, the final scene presents the embattled cronies reunited in friendship and happiness, believing the Virgin has entered the room. Perhaps the moral is that love conquers mutilation."

Spoleto, Italy

1959

-

New Directions, New York, 1962

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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-

Play/Drama

8

6

-

-

John McClain's outline of "Within the brokendown environs of a cheap Mexican resort hotel [Williams] has created a mood of pervading loneliness and despair as intrusive as the Equinoxial storm that stirs sudden lightning flashes and gushes through the tattered room. The desolation, the emptiness are in his people: the tough, sex-starved widow who runs the hotel; the neurotic, defrocked minister, and the gentle maiden lady from New England. Thrown together in this squalid setting their human needs become explicit, and from their conflicts comes the realization that life must be endured, and that the spirit will somehow survive even beyond the limits of anguish. Mr. Williams veers off in many philosophic directions in this searing pastorale, but he is chiefly concerned with the relationship of the Reverend T. Lawrence Shannon and Miss Hannah Jelkes, the sad, fortyish lady who travels the world with her grandfather ('the oldest practicing poet in the world'), painting quick portraits, for a fee, while the nonagenarian recites poetry to hotel guests. Rev. Shannon, having been relieved of his cloth for sexual irregularities, has landed at the Costa Verde hotel, near Acapulco, on the verge of one of his periodic mental breakdowns. The proprietress, an old friend, is prepared to offer him a bed and will, in fact, share it with him if he wishes. But then Miss Jelkes and her grandpa arrive, penniless but prepared to offer their services to the guests in return for lodging. There is a strange and immediate rapport between the discredited cleric and the lonely artist. The play's most poignant momentsscenes of enormous compassiongrow out of the understanding of these two people, their mutual need for companionship and roots, their final moments of nobility in small gestures of unselfishness to aid one another."

National Theatre, London, EUR >>>

1998

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

Originally 1-act. Revised.20 episodes

-

22

3

-

Royal National Theatre, London, March 5-April 30, 1998. Alley Theatre, Houston, TX June 10-July3,1998

Written in 1938 and based on an actual newspaper story the play follows the events of a prison scandal which shocked America when convicts leading a hunger strike were locked in a steam-heated cell and roasted to death. Williams later said: "I have never written anything since that could compete with its violence and horror." Its sympathetic treatment of a Black character and of a transvestite might have kept the play suppressed and unproduced during its own time. But its flashes of lyricism and compelling dialogue presage the great plays Williams was yet to write.

-

-

-

Dramatists Play Service, NY, 1997

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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-

Adaptation

7

6

-

Original Playwright - Anton Chekhov ( The Sea Gull)

On his Uncle Sorin's lakeside estate, Constantine's new play premieres to disdainful reactions from the family and friends who have gathered: Masha; her future husband Medvedenko; Dorn, a lecherous doctor; Shamrayev, manager of the estate; and his wife Polina. Constantine's mother, the famous actress Madame Arkadina (and prima donna), is not one to suppress her true feelings on her son's contribution to the theatre: She abhors it. Humiliated, Constantine sulks over his life, his art, and dotes on the play's star, the woman he loves, Nina, who is infatuated with Madame Arkadina's companion, the established writer Boris Trigorin. Since Trigorin is the object of affection for Nina, as well as Madame Arkadina, he becomes the object of scorn and jealousy for Constantine. In an attempt to explain his brooding, morbid nature, Constantine presents Nina with a dead seagull, which he has just shota sacrificial symbol of events to come. Before the evening is over the characters' dreams, infidelities, and self-deceptions will be revealed: Nina's reluctance to love Constantine; Trigorin's lust for Nina; Masha's love for Constantine and boredom with her new husband; Dorn's insecurities on his aging appearance and his affair with Polina; and Sorin's constant pleadings with his sister Arkadina to accept and encourage his nephew, her son. Two summers later finds Constantine the successful writer; Masha, a drunk, lamenting her love for Constantine; Madame Arkadina, haggard and struggling to hold onto Trigorin; and Nina, returning to the lake after her failed acting career and rueful involvement with Trigorin, seeking sympathy and understanding from the disturbed Constantine, who still loves her enough to take his own life.

-

-

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

2 scenes

One Act

4

3

-

Written 1981. A luncheon table at the window of a restaurant. Outside the window, there is a deserted street, with the marquee of a cinema visible. The feature playing at the cinema is Defiance of Decency, which is followed by four stars.

Conversations in a restaurant between two women friends, two male (homosexual) lovers, and the homosexual male manager

Cafe La MaMa, NY, USA >>>

1962

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

-

-

-

-

-

-

-

-

-

-

in Traveling Companion and other Plays, Samuel French, Inc - New York (2009) >>>

978-0811-21708-8

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Play

One Act

-

-

-

-

-

Matin Beck Theater. New York, NY

1957

-

New Directions, New York, 1958

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

-

Play/Drama

10

9

-

Orpheus Descending is known in other forms as Battle of Angels and as The Fugitive Kind

As the New York Times describes, the play tells "&of a woman storekeeper and a handsome, guileless youth who comes in off the highway. A guitar-player, he is a rural Orpheus who descends to rescue his lovenot in Hades, precisely, but amid the intrigue, gossip and violence of a hot-tempered town&ORPHEUS DESCENDING is one of Mr. Williams' pleasant plays, with characters determined to free themselves from corruption, with some sensitive philosophical comments in passing about the loneliness of the human being condemned in his world to solitary confinement for the whole of his life. Mr. Williams is in a more humane state of mind than he has been in several years&The introduction of the musical vagabond to the friendless woman who keeps the store, their humorous talk, their serious talk, the simplicity of their liaison after they have come to know each otherall this Mr. Williams has written in his best style of mood, lyricism and tenderness."

-

-

-

Dramatists Play Service, NY,

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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Drama, full length

-

1

1

-

Subsequently revised and available under the title THE TWO-CHARACTER PLAY. NOTE: The author prefers that the version entitled THE TWO-CHARACTER PLAY be presented by nonprofessional groups, though applications to produce OUT CRY will also be considered.

-

-

-

in Mister Paradise and Other One Act Plays, Samuel French, London, 2006

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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play

One Act

4

-

flexible

-

The Palooka is a spent boxer. Next to him on the bench awaiting his first professional fight is a starry-eyed youngster who hopes to make it big like his hero, former champion Galveston Joe. The Kid supposes that Joe retired wealthy and glorious, and the Palooka wistfully agrees. But as the Palooka walks out lifelessly to get slaughtered again, the Trainer gives the brutal truth: old timers in the crowd still recognize the has-been - despite changing his name from Galveston Joe

-

-

-

in Traveling Companion and other Plays, Samuel French, Inc - New York (2009) >>>

978-0811-21708-8

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Play

One Act

-

-

-

-

-

Cafe La MaMa, NY, USA >>>

1962

-

Dramatists Play Service, NY, 1958

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Comedy

One Act

1

2

2 non-speaking walk-on men

-

A delightful scene about two fading, overdressed doxies, members of the Ladies' Auxiliary of the "Sons of Mars," who hit town for the annual convention. But, in their search for "boys" and a "high old time," they wind up separated from their party, in a third rate bar, drinking beer and trying hard to be cheerful. Each is soon finding fault with the other, and they are resigned to a miserable time when the door bursts open, and a pair of "Sons of Mars," in all their blue-and-white glory, leap-frog in to save these damsels-in-distress.

Miami

1959

-

New Directions, New York, 1960

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

SerioComedy

Comedy

4

5

-

-

As described in the NY Times: "Mr. Williams is telling the story of two marriages at points of acute crisis. One couple has just broken up after five years together. The other has not been able to come to terms in one day of wedlock. Both couples are living through a period of adjustment. The phrase is tinged with irony. The play examines the sources of the crisis. Ralph Bates, a former war hero, has in-law trouble. George Haverstick, a war buddy who unexpectedly visits him on Christmas Eve with his bride of a day, has the shakes; his difficulty seems to be a fear of impotence. The end is happy, as comedy requires. The four go to bedin the right combinations." In calling his play a "serious comedy," Mr. Williams puts his finger on its most unique aspect, for this is a work which combines a humorous viewpoint with deep-seated concern for a very real, human situation.

-

-

-

in Mister Paradise and Other One Act Plays, Samuel French, London, 2006

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

play

One Act

2

1

-

-

The Woman berates her tedious, negligent lover whom she knows has two-timed her. As the quarrel reaches a crescendo, she turns him out and slams the door on him. Then she calls to his replacement, a younger man, who's waiting in the other room

Los Angeles

1946

-

in 27 Wagons Full of Cotton and Other One Act Plays, New Directions, NY, 1946

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Sketch

One Act

4

2

-

-

A sketch of a demented spinster

-

-

-

in Traveling Companion and other Plays, Samuel French, Inc - New York (2009) >>>

978-0811-21708-8

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Play

One Act

-

-

-

-

-

Dallas, TX

1954

-

in 27 Wagons Full of Cotton and Other One Act Plays, New Directions, NY, 1946

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

-

One Act

9

6

-

-

Poetic drama in New Mexico

Schubert Theatre Boston, Massachusetts

1976

-

Samuel French, London,

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

2 act

Play/Drama

18

4

-

-

The action of the play begins in the cocktail lounge of a slightly seedy Dallas hotel, where the rebellious wife of a powerful and corrupt industrialist (known only as the "Downtown Woman"), having been subjected to violent electro-shock treatments and disabling drugs, is being virtually held prisoner. When she encounters King Del Rey, once the leader of a successful mariachi band, until he was disabled by a brain tumor, the Woman senses that he is both a kindred spirit and, perhaps, the means by which she can free herself at last. Their attraction is immediate and tempestuous but King, demeaned by the fact that his present condition makes him his hard-working wife's "invalid dependent," holds back from total commitment. As their stories unfold we learn that the Woman, daughter of a crooked Texas politician and wife of the grasping president of the Red Devil Battery Company (which symbolizes the dehumanizing power of the military-industrial complex) has knowledge of a right-wing plot to assume national power; and that King still clings to the hope that his health will be restored and he will again join forces with his talented daughter, a gifted singer known as La Nina. But it soon becomes apparent that time has run out for both of them; the forces which seek to hold the Woman in bondage are too powerful to foil; and La Nina, who has become the paramour of a gun-toting Chicago hoodlum, is aware that her father is a doomed man. In the stirring, theatrically explosive conclusion of the play, King, after a final but futile attempt to save the Woman, falls dead from a massive stroke, while she is seized by a marauding band of homeless youths who have been poised at the outskirts of the city, and carried off as their leader's prizeand to the nightmare-desolation of a decadent civilization in the throes of self-destruction.

-

-

-

in Traveling Companion and other Plays, Samuel French, Inc - New York (2009) >>>

978-0811-21708-8

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

Play

One Act

-

-

-

-

-

New York

1951

-

New Directions, New York, 1951

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

-

Play/Drama

9

14

-

Winner of the 1951 Tony Award for Best Play. One of the author's most beautiful and powerful plays. Set among a colony of Sicilian fisherfolk on the American Gulf Coast, it is the story of a woman for whom love was stronger than death

Serafina delle Rose is a restless widow whose intense and absorbing instinct for love drives everything before it. The figure of this extraordinary woman dominates the small town where she and her friends are living and embodies the exultation and danger of unbridled passion. Her story, and that of the lover she chooses and the daughter she denies, are forged into a play of power, humanity and soaring emotion.

-

-

-

Dramatists Play Service, NY,

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

-

Adaptation

-

-

-

Original Playwright - Anton Chekhov

New York

-

-

-

-

I don't think the play has been published but you could try abebooks.com
or the playwright direct where their email is shown at the top of the page

2 acts

Play/Drama

2

1

Chicken, Lot and Myrtle

aka Kingdom Of Earth

A dying man, Lot, brings his new former showbiz wife to his childhood home where his half brother still lives. His brother, Chicken, begins to psychologically torture his sister-in-law, scaring her with the prospect of drowing in the impending flood, because he suspects the marraige is a scam to prevent him from getting the house when his brother dies. While she suffers Lot goes insane, dressing in his mother's clothes and a wig and disapears into the parlor never to be heard from again.

Longacre Theatre. New York City

1966

-

Dramatists Play Service, New York (2 vols.), 1967

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
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Double Bill

Play/Drama

9

4

-

includes The Mutilated (9m 4f) and Gnadiges Fr!ulein, The (3m 3f) (aka The Latter Days Of a Celebrated Soubrette)

Viscious scavenger birds repeatedly attack an ex-vaudeville singer as she attempts to gather fish for her supper. The implication of the two plays is that all of us suffer in one way or another

New York

1972

-

Dramatists Play Service, NY, 1972

-

If Publisher (above) is underlined then the play may be purchased by direct click, otherwise
(below) are AbeBooks for secondhand & 1st eds and other Booksellers for new copies

-

Play/Drama