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RICARDO GARCIA |
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Nationality: n/a Email: n/a Website: n/a |
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Literary Agent: n/a |
Please send me a biography and information about this Playwright
xxx doollee
Adaptation / Translations of Plays by Ricardo Garcia |
Manhattan Project | ||
| 1st Produced: | 440 Studios, 440 Lafayette Street, 3rd, 4th floors, New York, NY 10003 >>> | 06 Jun 2010 | ||||
Organisations: | n/a | |||||
| 1st Published: | I don't think it has been published. Try emailing Playwright or Agent where listed at top of page. | ISBN/ASIN: | - | |||
| Music: | - | doollee no | #114963 | |||
To Buy This Play: | If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies | |||||
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Genre: | Translation | |||||
| Parts: | Male | - | Female | - | ||
Parts other: | - | |||||
Notes: | Original Playwright - Ricardo Garcia | |||||
Synopsis: | This show is part of the Planet Connections Theatre Festivity. This is their official description: The scientific community from Los Alamos is preparing for the first testing of the atomic bomb in New Mexico. One of the main protagonists, a mature WOMAN who is invited to a TV show for an interview, pretends to be more personal than professional in an attempt to reveal the intimate side of scientific people. During this interview the WOMAN discovers that the INTERVIEWER is really a writer and both (WOMAN and INTERVIEWER) end up weaving a story of love and treachery as explosive as the historic preamble that launches the atomic bomb in Hiroshima and Nagasaki. This is the result, not exactly of the relationship between the two characters of that story: MARGARET and CHARLES, two successful scientists that despite their intense scientific careers, reveal their intimate limitations where their treachery conjugates with, perhaps, that visage of dirty dealing painted on the face of J. Robert Oppenheimer when he said, at the end of his life, "Now I am become Death, the destroyer of worlds." | |||||
Further Reference: | - | |||||
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