The Playwrights Database
MURPHY GUYER
(1952 - )
Nationality:
USA
email:
n/a
Website:
n/a
Literary Agent:
TalentWorks
Born and raised in rural eastern Maryland, Murphy Guyer moved to New York City at the age of nineteen to attend the AADA on a acting scholarship. He soon discovered a talent for writing jokes and comic sketches and began writing for various stand-up comics and improv groups. In the early 80's his first play, EDEN COURT, premiered at the Humana Festival of New American Plays in Louisville. It was subsequently produced on Broadway and made into a film. Since then he has written numerous works for stage, screen, and radio. His plays have been produced Off-Broadway and at regional theaters throughout the country, as well as in Canada, Britain, Ireland, Europe, and Russia (Soviet Union). From 1996 to 2003 he was Associate Artistic Director for Playwrighting at the Cleveland PlayHouse. Murphy lives and works in New York City.
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American Century, The
World War II has ended and Tom, just discharged from the army, returns to his young wife, Margaret, full of hope and enthusiasm, and dreams of a bounteous future. But as they plan their life together they are joined by a brash young stranger who, to their amazement, proceeds to make himself very much at home. He is, he explains, one of the children they will have, and he fills them in so completely about their past and present lives-and the future which awaits them-that Tom and Margaret soon find themselves moving from incredulity to panic. In the most casual, blithely humorous manner he tells of a world gone mad with space races, Watergate and the threat of atomic annihilation; of his siblings who have come to a variety of bad ends; and of Tom and Margaret's own descent into bankruptcy, booze, and pill-popping. Increasingly aghast as one horror is casually (and hilariously) piled on another, Tom rushes for the door, determined to escape before any of this can occur only to be pursued by his unloving but pragmatic son who suddenly realizes that without a father, his own existence, chancy as it may be, will never happen.
Notes:
part of American Shorts
1st Produced:
Organisations:
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1st Published:
20 One-act Plays From 20 Years Of the Humana Festival, edited by Michele Volansky and Michael Bigelow Dixon, Smith & Kraus, 978-1880399989
Music:
-
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Genre:
Joke In 1 act
Parts:
Male: 2 Female: 1 Other: -
Further Reference:
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Eden Court
Synopsis:
In a low-rent trailer park, Shroeder Duncan faces his 30th birthday frustrated by an elusive mouse, tormented by neighbourhood dogs, and embroiled in marital conflict with his Elvis-worshipping wife
Notes:
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1st Produced:
Organisations:
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1st Published:
TCG in Plays in Process., -
Music:
-
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Genre:
Two acts Play/Drama
Parts:
Male: 2 Female: 2 Other: -
Further Reference:
-
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Enchanted Maze, The
Synopsis:
What could be more terrifying than a labyrinth without a center? C.K. Chesterton once asked. To which this playful absurdist comedy answers; "a labyrinth without a center populated with people who refuse to admit it."
Notes:
The original version of this play was workshopped at the O'Neill Conference in 1990. A later version was premiered at the Cleveland PlayHouse in 1998 and at Philadelphia's Annenberg Center a year later. The play has been translated into Russian and produced at theaters in Moscow, Tbilisi, and Riga, Estonia. This new and final version has received a staged reading but still awaits its first production.
1st Produced:
Organisations:
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1st Published:
http://www.indietheaternow.com/Play/the-enchanted-maze -
Music:
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Genre:
absurdist comedy 120 min
Parts:
Male: 8 Female: 3 Other: 1
Further Reference:
-
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Infinite Regress Of Human Vanity, The
Synopsis:
This comedy within a comedy within a comedy satirizes the contemporary theater and simultaneously illustrates the larger point that avoiding or transcending self-interest is logically and psychologically impossible.
Notes:
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1st Produced:
Cleveland Play House, Ohio 08 Feb 2002
Organisations:
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1st Published:
http://www.indietheaternow.com/Play/the-infinite-regress-of-human-vanity -
Music:
-
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Genre:
comedy 90 min
Parts:
Male: 9 Female: 2 Other: -
Further Reference:
-
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Interrogation
Synopsis:
It asks the question: "When a separated couple meets in their favorite bar nine months after breaking up, how do they ask the question that is on both of their minds. . .how many people have you slept with since we broke up?"
- nytheatre.com
Notes:
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1st Produced:
Victor Jory Theater, Louisville, Ky 1982
Organisations:
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1st Published:
Contained in: "Ten Minute Plays From the Actors Theatre Of Louisville volume Two" published by Samuel French Inc, New York -
Music:
-
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Genre:
Ten Min
Parts:
Male: 1 Female: 1 Other: -
Further Reference:
-
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Loyalties
Synopsis:
a soldier and his wife argue with her sister and her boyfriend over loyalty and going to war. It is Germany 1939
Notes:
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1st Produced:
Organisations:
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1st Published:
in 25 Ten-Minute Plays from Actors Theatre of Louisville, 1989 -
Music:
-
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Genre:
Ten Min
Parts:
Male: 2 Female: 2 Other: -
Further Reference:
-
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Metaphor, The
Synopsis:
When a strange interrogation is derailed by a prisoner's defiance, the interrogator pulls out all the stops - outrageous, absurd and theatrical. But the prisoner's resistance ultimately disrupts everything, even the performance
Notes:
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1st Produced:
Organisations:
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1st Published:
- -
Music:
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Genre:
One act
Parts:
Male: 4 Female: 1 Other: -
Further Reference:
-
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Rendezvous With Reality
Synopsis:
-
Notes:
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1st Produced:
Philidelphia, Pa 1995
Organisations:
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1st Published:
- -
Music:
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Genre:
-
Parts:
Male: - Female: - Other: -
Further Reference:
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Russian Romance
Synopsis:
Nothing is what it seems to be in this two-act comedy about what happens when the Russia of poetic imagination collides with the more prosaic Russia of reality.
Notes:
subsequently translated into Russian and produced at theaters in Moscow, Tbilisi, and Riga.
1st Produced:
Cleveland PlayHouse 1999
Organisations:
-
1st Published:
http://www.indietheaternow.com/Play/russian-romance -
Music:
-
To Buy This Play:
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Genre:
comedy 120 min
Parts:
Male: 4 Female: 3 Other: -
Further Reference:
-
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World Of Mirth
Synopsis:
When the self-described "family" of the World of Mirth carnival hits a streak of bad weather and bad luck, their response is fearfully un-family-like. the play begins three days after Kaspar Kelly, the carnival owner, has forcibly retired Oscar the Frog Boy, a twenty-year veteran of the freak tent. at the time, Sweeney, the dunk-cage clown and Oscar's best friend, begged his fellow carnies to kick in a few dollars to help keep Oscar on the midway; but pleading poverty, they refused. That night Oscar committed suicide, a fact Sweeney will not let them forget. empowered by his own indifference, an indifference born of booze, grief and a nagging doubt, Sweeney has turned the taunts and insults he normally reserves for "marks" against the carnies themselves. But what begins as gleeful ridicule turns to wanton vindictiveness when one of his more reckless antics leaves him bloodied and betrayed. With savage spite he sets out to punish and destroy the entire carnival by exposing its every lie and self-delusion. at one point his embittered cynicism prompts him to deny even the existence of love itself. But ultimately it is love-blind, passionate, desperate love, that destroys him.
Notes:
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1st Produced:
Theatre Four, Off Broadway, NY 2001
Organisations:
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1st Published:
Dramatists Play Service, NY, 2002 -
Music:
-
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Genre:
Black Comedy Comedy
Parts:
Male: 7 Female: 2 Other: -
Further Reference:
-
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