The Playwrights Database
SIBYL KEMPSON
Nationality:
USA
email:
n/a
Website:
n/a
Literary Agent:
Antje Oegel International represented by
Antje Oegel
Sibyl Kempson lives and makes Theater plays in NYC and the Pocono Mountains. Plays include Crime or emergency (Theater Bonn, Germany; Great Plains Theatre Conference, Omaha; Performance Space 122; Fusebox Festival, Austin; Soho Rep; Dixon Place); Potatoes of august (Dixon Place); So Much To Go Crazy (the Show Might Go On) (Sehr Langsam) (the Off Center/Fusebox Festival, Austin); the Wytche of Problymm Plantation (Dixon Place); Bad Girls Good Writers (Brick Theater; Bennington New Works Festival); Spargel Time! (Little Theater) and many others. Her work has been developed in workshops at Dixon Place, Soho Rep, CaTCH! Performance Series, and Little Theater, as well as at New Dramatists. Current and upcoming projects include an as-yet untitled collaboration with elevator Repair Service; a Full Stage USA commission, a program of New Dramatists and the Andrew W. Mellon Foundation for a new work in collaboration with Austin, TX groups Rude Mechs, Salvage Vanguard, Physical Plant, and Rubber Rep; a collaboration with David Neumanns advanced Beginner Group; and a commission from the Playwrights Department of NYC Players in partnership with abrons Arts Center. the 2011-12 season will see productions of her plays the Secret Death of Puppets (or) How Do Puppets Die? (or) Puppets Die In Secret (at Dixon Place) and Ich, KurbisGeist (by Big Dance Theater at the Chocolate Factory). Her plays have been published by the 53rd State Press (Crime and Kurbis), Play a Journal of Plays (Potatoes of august), Brooklyn Review (excerpts of Crime and Secret Death of Puppets), Midway Journal (excerpt of the Secret Death of Puppets). She is a 2010 MacDowell Colony Fellow, member of New Dramatists class of 17, a four-time recipient of Dixon Places Mondo Cane! Commission (2002, '07, '09, '11), and of individual grant support from the Greenwall Foundation 2009 & 10. She is a founding member of the Joyce Cho Initiative, an affinity of playwrights dedicated to the staging of problem plays, and of Machiqq Women's auxiliary playwriting group. She has an MFA in Playwriting from Brooklyn College, 2007, where she studied under the instigation of Mac Wellman.
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Admiral Snook Had What It Took
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Saint Fortune
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Genre:
Drama
Parts:
Male: - Female: - Other: -
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Bad Girls Good Writers
Synopsis:
Flexible sets but environmental is best, rock music equipment. an ode to the Brooklyn College literary scene. Written on a dare from Mac Wellman. these girls are bad, bad girls. But they know how to write. But they are totally, completely badass.
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Genre:
comedy
Parts:
Male: 6 Female: 4 Other: 2 Gender-flexible, 2 children, 1 rock band, 1 crowd
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Binge: Short Plays With All the Fixins!
Synopsis:
In these short plays food is a character, a metaphor, a Dramatic force of its own. Binding the plays together is a series of provocative videos that address the grotesque reality of today's food politics
- nytheatre.com
Notes:
written by Michael John Garces, Kara Lee Corthron, Sibyl Kempson, Kirk Lynn, Bekah Brunstetter, Mando Alvarado
1st Produced:
Interart Theatre, NY 2008
Organisations:
the Shalimar
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Genre:
short plays
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Male: - Female: - Other: -
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Crime Or Emergency
Synopsis:
Routine medical examination goes critical, spirals. Common expectations of cause and effect obliterated. Inner, personal violences multiply. audience members undergo mandatory post-logical transformation of self
Press Release
Notes:
written by Sibyl Kempson And MIke Iveson
1st Produced:
Organisations:
Dixon Place Mondo Cane commission
1st Published:
53rd State Press -
Music:
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Genre:
comedy
Parts:
Male: 4 Female: 3 Other: -
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Fondly, Collette Richland
Synopsis:
As a serene domestic scene gradually unravels, mysterious off-stage forces and an unexpected guest become entwined in a Drama that is a surreal homage to Jane Bowles and a cadre of other influences. eRS signature physical performance meets Kempsons inimitable style with a live score played by longtime eRS member and Kempson collaborator Mike Iveson. the result is a lush, engaging, strange and beautiful trip into unknown mental and physical spaces.
Notes:
In their first ever collaboration with a contemporary writer, elevator Repair Service joins forces with playwright Sibyl Kempson to create Fondly, Collette Richland
1st Produced:
Preview Performance: Walker Art Center, Minneapolis 16 May 2013
Organisations:
elevator Repair Service
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Piece
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From the Pig Pile: Requiste Gestures(s) of Narrow Approach
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1st Produced:
Salvage Vanguard Theatre, Austin, Texas Apr 2014
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Genre:
Drama
Parts:
Male: 6 Female: 5 Other: 1 baby
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Ich, Kurbisgeist
Synopsis:
Performance Space 122 and the Chocolate Factory present the world premiere of Ich, Kurbisgeist from Big Dance theater and playwright Sibyl Kempson. Blending performance, text, dances and visual design, Big Dance theater installs Kempsons play into the Chocolate Factorys crypt-like basement for an audience of just 30 per show. It is written by Kempson in an imaginary language, sounding both remote and strangely familiar.
nytheatre.com
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1st Produced:
Organisations:
Big Dance Theater
1st Published:
53rd State Press -
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Genre:
piece 60 min
Parts:
Male: 2 Female: 3 Other: -
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It's A Good Life If You Don't Weaken
Synopsis:
a wicked and unnatural Halloween play.
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Genre:
Play/Drama
Parts:
Male: 3 Female: 4 Other: -
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Kyckling and Screaming
Synopsis:
Kyckling is Swedish for chicken
Notes:
Original playwright - Henrik Ibsen. Based on "The Wild Duck"
1st Produced:
Rehearsed reading at New York Theatre Workshop 10 Feb 2014
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Genre:
Adaptation
Parts:
Male: - Female: - Other: -
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Let Us Now Praise Susan Sontag
Synopsis:
A very poor family of sharecroppers are visited by a journalist and photographer from a journal in the big city
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Genre:
Musical
Parts:
Male: - Female: - Other: -
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Potatoes Of August
Synopsis:
Potatoes of August is a theatricalist fugue wherein four retirees encounter a sack of sentient potatoes, and find their outworn belief systems forcibly confronted by the challenges of a highly integrated, enlightened metaphysics. these potatoes have brains, have read their Swedenborg, and don't always play fair. Parts kitchen sink Drama, musical comedy, intimate biographical portraiture, museum educational presentation, opera, Renaissance fair, science fiction, science fair, and phenomenological debate, it is a fugue in both the musical and psychiatric sense, and also a swarm. a flight is tracked from comprehensible identity and habitual perception into an unknowable environment of vastness, multiplicity, and high, high entropy
- press release
Notes:
songs by Mike Iveson
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1st Published:
Play a Journal of Plays -
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Genre:
Science Drama/Comedy with songs
Parts:
Male: 1 Female: 4 Other: -
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Secret Death of Puppets (or) How Do Puppets Die (or) do Puppets Die in Secret, The
Synopsis:
A collection of three playlets about forbidden knowledge and our own fragile understanding of reality. Together the three vignettes are an homage to Victoria Nelson's book, the Secret Life of Puppets, and explore our mysterious and uncanny relationship to the inanimate. Told with objects, puppets and humans-as-objects, and set in a surreal reality with insistently unnatural flora and fauna that may or may not be talking, the Secret Death of Puppets blurs the fantastic with the commonplace and poses the question: how can something die that was never alive in the first place?
- nytheatre.com
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1st Produced:
Dixon Place161 Chrystie Street, New York, NY 10002 03 Nov 2011
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1st Published:
excerpts in Brooklyn Review -
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Genre:
Play/Drama
Parts:
Male: - Female: - Other: -
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Securely Confered, Vouchsafed Keepsakes of Maery S, The
Synopsis:
Mary Shelley and her Monster
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1st Produced:
Playwrights Center, Minneapolis Feb 2014
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Genre:
Drama
Parts:
Male: 2 Female: 2 Other: -
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So Much To Go Crazy
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Male: - Female: - Other: -
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Spargel Time!
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1st Produced:
Little Theatre -
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Male: - Female: - Other: -
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Wytche Of Problymm Plantation
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Male: - Female: - Other: -
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Zeit Af Der Kurbisgeistnachten (Or) It's A Good Life If You Don't Weaken
Synopsis:
Old-Time agricultural Revenge Play, for Hallowe'en, One act, best performed in woods bordering a farm. Inspired by a field of broken seed pumpkins near the airport in Graz, austria, as viewed from a passing car. Told in a convergence of fictional archaic dialects, as collected from several imaginary points in medieval european history. Takes place in a patch of woods where the boundaries of feudal and religious systems, time periods, social order, biologies, and other classifications can manage total break-down in the face of paranatural crisis.
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Genre:
one act
Parts:
Male: 6 Female: 15 Other: 1 chorus
Further Reference:
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