The Playwrights Database
DEBORAH LEISER-MOORE
Nationality:
Australian
email:
n/a
Website:
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Literary Agent:
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Deborah Leiser-Moore has been working in physical contemporary theatre since 1989. For three years she was a member of Entr'acte Theatre, co-writing and performing in The Memory Room, Aqua Azzura and Possessed/Dispossessed. Her devised solo and collaborative works include a room with no air, HUNGRY, The Cool Room (nominated for a Green Room Award for Most Outstanding Independent Production for 2002), HazChem!, The Girl Who Wanted to be God, The DeKlein of Pigs and Men, A Thousand Doors A Thousand Windows and Here and There - Then and Now. She has collaborated with artists such as Nikki Heywood, Regina Heilmann, Bruce Keller, Tanya Gerstle and Keith Gallasch and has toured nationally and internationally. In June 2004, a compilation video of her work (entitled Memory, Place, Reconciliation and the Body) was presented at the University of Bamberg, Germany, as part of the CDE conference. She has recently completed a Masters in Performance at Victoria University.
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HazChem!
Synopsis:
Created with Critical Mass Theatre and at Wollongong Art Gllery - HazChem is a multi media performance piece about a city in crisis - a city on the brink...
Notes:
Created with Critical Mass Theatre and at Wollongong Art Gllery - created by Janys Hayesr, Bruce Keller, Deborah Leiser-Moorer, Bel Macedoner, Ian MacGregorr and Jeff Steinr
1st Produced:
Wollongong City Gallery, Wollongong, NSW 18 May 2001
Organisations:
Critical Mass Theatre
1st Published:
- -
Music:
-
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Genre:
multi media piece
Parts:
Male: 3 Female: 2 Other: -
Further Reference:
http://www.ausstage.edu.au/pages/event/112264
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Room With No Air, A
Synopsis:
'A room with no air' is about two first generation Australians linked by their cultural histories. German gentile and Polish Jew, they struggle to understand the terrible dynamic that is their legacy. They probe beneath the surface of what they know to expose the paradoxes of their relationship. They reveal the tragic and complex repercussions of violence perpetrated by one culture on another and its impact on future generations. Moving between memory, nightmare and domesticity they confront each other with their opposing perspectives in an attempt to break the silence. The work is highly charged physically and vocally, is both lyrical and brutal, eschews naturalism and narrative but has a strong, clear dramaturgical spine. It poses many questions that speak to the palpable political tensions that have surfaced in Australia.
Notes:
written by Regina Heilmann, Deborah Leiser-Moore
1st Produced:
- -
Organisations:
-
1st Published:
http://australianplays.org/ -
Music:
-
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Genre:
Contemporary performance 55 min
Parts:
Male: - Female: 2 Other: -
Further Reference:
-
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