The Playwrights Database
DAVID MACLENNAN
(1948 - 2014)
Nationality:
Scottish
email:
n/a
Website:
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Born June 19, 1948 Died June 13, 2014 DAVID MacLennan, who died yesterday in Glasgow's Western Infirmary aged 65, was Scotland's top theatre producer. He had been suffering from Motor Neurone Disease. Describing MacLennan as the country's "top theatre producer" is not hyperbolic. His list of achievements in theatre over the past 40 years range from the remarkable to the astounding. The flamboyant character, famous for wearing sunburst cord trousers, a 1950s Tour de France moustache and red body warmer, set up 7:84 Theatre Company in Scotland and went on to establish Wildcat Theatre. And in the past ten years he has developed the hugely successful Play, Pie and a Pint lunchtime theatre event at Glasgow's Oran Mor. His reputation in the acting world was such he was able to attract major talent in the form of Robbie Coltrane, Bill Paterson and Elaine C.Smith to his basement theatre in the West End. The son of doctors, (his father was the eminent obstetrician Sir Hector MacLennan) it was expected David MacLennan would follow his parents into medicine. Yet, his parents made the mistake of drip-feeding their son with a range of theatre, from high drama to variety. "I've loved theatre since I was around six-years-old and my parents took me to the King's Theatre to see Peter Pan," MacLennan recalled in a recent interview with The Herald. "As the little Tinkerbell light faded, Peter Pan came forward and called out; 'Boys and girls, Tinkerbell is dying! But we can save her. I want you all to stand up and shout out: 'I believe in fairies.' "Before I knew it, I was standing on my seat shouting at the top of my voice. And I've been captivated by the magic ever since." His parents who lived in the west end of Glasgow, were friends of variety performer Jimmy Logan, who was a neighbour, and the family of four children were taken along to see Logan's Five Past Eight Shows at the Alhambra Theatre. "I'd visit Jimmy in his dressing room, with all the wonderful mirrors, costumes and make-up boxes then go backstage and see the Bluebell Girls dancers close up, with their legs all the way up to their oxters," he recalled. As a boy MacLennan made his stage debut at boarding school, in Charley's Aunt, playing Lord Fancourt Babberley - in drag. He'd fallen in love with acting. "I don't think my parents fell in love with the idea, though," he says. "They would have been happier with a stethoscope around my neck as opposed to a string of beads." In 1969, with his parents' approval, MacLennan went on to study acting at the Gardner Arts Centre in Brighton, but considered himself to be "second division". However, he came to appreciate his role could be one of theatre producer and in 1971 joined with John McGrath to form the England-based 7:84 Theatre Company, setting up the Scottish version two years later. With his troop of actors, including Alex Norton, John Bett and Bill Paterson, the company toured the Highlands and Islands in rickety vans playing to tiny audiences. But along the way, productions such as The Cheviot, The Stag and the Black Black Oil saw audiences - and reputations - soar. The agitprop ("Our politics was Marxist-MacLennanist," said Paterson) captured the mood of the period. In 1978, MacLennan was now an established playwright as well as a director/producer and went on to set up renowned theatre company Wildcat, another politically-inspired production unit, with friend and musician Dave Anderson. "We never got rich, but we never stopped touring," MacLennan recalled."I'm so lucky I came into the business when it was growing. It was fun, sharing attitudes and politics." His achievements didn't end there. MacLennnan went on to set up the Pleasance Theatre in Edinburgh and in 1983 established the cultural celebration Mayfest in Glasgow. In 1989, he opened the Clyde Theatre in Clydebank, and after funding for Wildcat Theatre was withdrawn, established himself as a freelance writer/producer. In 2003, MacLennan took a trip to Dublin to oversee Anderson perform at Bewley's Cafe-Bar, which operated a lunchtime theatre programme. The afternoon changed his life. Buoyed with excitement, he came back to Glasgow and pitched his idea for lunchtime theatre to pub boss Colin Beattie. The idea became a phenomenal success, with MacLennan going on to produce 337 plays over a ten-year period. Married to actress Juliet Cadzow in 1988, the pair would on occasion appear together on stage. When MacLennan was diagnosed with the terminal muscle-wasting illness MND, the news conveyed by his consultant a year ago, it did not blunt his enthusiasm for theatre. "We were still having creative differences about the Oran Mor summer panto just a few days ago," says co-writer Anderson. "He loved his work. And he loved his life." MacLennan, who once appeared on stage wearing nothing but a giant nappy and a pleased expression, revealed that to be the case. "I've been remarkably lucky," he said of his life. "I think one of the things about getting this wretched illness is it focuses the mind on how lucky I've been with my work, my family and my friends." MacLennan leaves a formidable legacy. His lunchtime theatre concept A Play, A Pie and a Pint is now being copied around the world. Co-productions now operate throughout the UK, and the winning formula has been franchised to Philadelphia, with Caracas and Sao Paulo due to follow soon. Oran Mor writers' efforts have been translated into Italian and Russian, performed in New York, Moscow, Adelaide and, later this year, Paris. And legions of writers, actors, directors and technicians owe him huge debts of gratitude for encouraging them into theatre. Indeed Coltrane cites MacLennan as the reason for his first return to theatre in 15 years, appearing during Oran Mor's second season. In February this year, MacLennan admitted he would have come up with a different ending for his Final Act. "I can imagine choosing to die in the middle of the Tay, with a salmon on the line and a hip flask in my pocket, going out to a giant heart attack aged 104," he said with a wry smile. MacLennan is survived by wife Juliet Cadzow, his son Shane, brothers Robert and Kenneth and sister Liz. - http://www.heraldscotland.com/comment/obituaries/david-maclennan.24484979
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Actress Prepares, An
Synopsis:
On 17th August 1962 LIFE magazine published 'Last Talk with a Lonely Girl'. 36 years old, divorced for the third time and now living alone, frustrated by Hollywood and tired of the label sex symbol, the final years of her life were marked by illness, personal problems, and a reputation for being unreliable and difficult to work with. In An Actress Prepares, Marilyn reflects on her silver screen persona and exaltation to one of the most celebrated idols of her time, while freely admitting to never knowing happiness. Candid and contemplative, and with her untimely death shortly after, this was to become her ultimate interview.
Notes:
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1st Produced:
Organisations:
Wildcat Theatre Company
1st Published:
- -
Music:
-
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Genre:
Solo Play/Drama
Parts:
Male: 1 Female: 1 Other: -
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Aladdin and Wee Jeannie
Synopsis:
for grown up children has become a not to miss Festive Season comedy treat. Boo, cheer and sing-along, Oh,yes you will. Only suitable for real children with very liberal parents.
Notes:
written by Dave Anderson and David MacLennan
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Genre:
Christmas panto
Parts:
Male: - Female: - Other: -
Further Reference:
-
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Alice In Poundland
Synopsis:
alice's mum is boracic, and she is wandering the aisles of Poundland looking for summer treats.alicereaches out to grasp a white rabbit keyring and before she knows it she is on the golden escalator to Plunderland - a parallel universe where no one pays 50pence in the pound tax, and where everything costs the same - a million - but you dont have to pay for it if you are rich. Travel withaliceand meet Milliedum, Milliedee, the King of Clubs, the Queen of Diamonds, the Fat Cat, the Mad Banker and all your other favourite characters you love to hate.
Notes:
Written by Dave Anderson And David MacLennan
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Genre:
Summer pantomime
Parts:
Male: - Female: - Other: -
Further Reference:
-
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Any Minute Now
Synopsis:
-
Notes:
written with D MacLennad
1st Produced:
Organisations:
Wildcat Theatre Company
1st Published:
- -
Music:
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Genre:
Musical
Parts:
Male: - Female: - Other: -
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Bedfellows
Synopsis:
-
Notes:
written with Dave Anderson
1st Produced:
Citizens' - Glasgow
1995
Organisations:
Wildcat Theatre Company
1st Published:
- -
Music:
-
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Genre:
Musical
Parts:
Male: - Female: - Other: -
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Bed-Pan Alley
Synopsis:
campaigns vigorously against cuts in the National Health service, the low salaries paid to nurses and the very existence of private medicine.
Notes:
music by the cast
1st Produced:
Shaw, London
1984
Organisations:
Wildcat Theatre Company
1st Published:
- -
Music:
-
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Genre:
Musical
Parts:
Male: 3 Female: 2 Other: doubling
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Bit of a Dick Whittington, A
Synopsis:
Will Dick go to London and are the streets there paved with gold? Will Dick travel the world to make his fortune, marry the InSultan' of Taxhaven's daughter and return filthy rich to unseat Boris, become the Mayor and live happily ever after? Oh, yes he will!
Notes:
Written by By Dave Anderson and David MacLennan
1st Produced:
Organisations:
a Play, a Pie and a pint
1st Published:
- -
Music:
-
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Genre:
pantomime
Parts:
Male: 3 Female: 2 Other: doubling
Further Reference:
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Business In The Backyard
Synopsis:
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Notes:
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1st Produced:
Pavillion - Glasgow
1985
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Genre:
-
Parts:
Male: - Female: - Other: -
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Capital Follies
Synopsis:
-
Notes:
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1st Produced:
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1975
Organisations:
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Music:
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Genre:
Incomplete
Parts:
Male: - Female: - Other: -
Further Reference:
National Library of Scotland ref: 7:84 (Scotland) Theatre Company - acc.10893/26
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Celtic Story
Synopsis:
-
Notes:
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1st Produced:
Pavillion - Glasgow
1988
Organisations:
Wildcat Theatre Company
1st Published:
- -
Music:
-
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Genre:
-
Parts:
Male: - Female: - Other: -
Further Reference:
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Christmas Carol, A
Synopsis:
We meet a very grumpy old man who hates Christmas: it's nothing more than a license for cynical profiteers to fleece people of their hard-earned cash, force them into debt buying a lot of crap they don't need, and making them miserable for the rest of the year. It's a meaningless spend-fest and should be abolished! This is Bob Cratchitt who works in a call centre, owned by ebenezer Scrooge, who loves Christmas. This call centre collects debts. Scrooge is a very cheerful man indeed. On Christmas eve, Scrooge is visited by the ghost of Bob Marley, who soon realizes his mistake - sorry, that should be Jacob Marley, Scrooge's old partner whom ebenezer bought out at the beginning of the Credit Crunch for next to nothing. Jacob is doomed to walk the earth until ebenezer gives him a fair price for the share of the business - after all, the debt collection industry is one sector that is booming. This effectively means eternity since Scrooge will never pay him. Jacob warns Scrooge he will be visited by 3 more ghosts before Christmas morning. the first is the Ghost of Christmas Past, or the Wicked Witch of the South who bears a striking resemblance to Margaret Thatcher, under whose watch Scrooge began to get wealthy. She is accompanied by the Goose that Lays the Golden eggs. the second is aladdin, or the ghost of Christmas Present, who bears a striking resemblance to Gerard Kelly. aladdin takes Scrooge on his magic carpet, round to the Cratchit's house, where he observes how poor they are. the third is Prince Charming or the Ghost of Christmas yet to Come who bears a striking resemblance to both David Cameron and Prince Charles and who shows Scrooge how the world will be if he doesn't change his ways. By the end, Scrooge is a miserable, skint wretch and the Cratchits' are happy. We will meet several Fairy-Tale characters along the way.
Notes:
written by Dave Anderson And David MacLennan
1st Produced:
Organisations:
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Music:
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Genre:
Christmas Show
Parts:
Male: - Female: - Other: -
Further Reference:
-
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Dear Glasgow
Synopsis:
Seven established authors from cities around the Arab world write a letter direct to the audience in Glasgow. Novelists, poets and essayists such as Raja Shehadeh and Adhaf Souief have been commissioned to write these letters as a response to current events in their countries. the essays will be read by some of Scotland's own established writers.
Notes:
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1st Produced:
Organisations:
a Play, a Pint and a Pie
1st Published:
- -
Music:
-
To Buy This Play:
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Genre:
short play
Parts:
Male: - Female: - Other: -
Further Reference:
-
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Deficit Show, The
Synopsis:
From the same team that brought you the Jean Jaques Rousseau Show and Demons comes a show that interrogates the deficit. What does it actually mean? How big is it, really? What can we do about it (apart from sell the NHS, obviously)? In this highly-charged political cabaret, Scotland's most formidable and upworthy collective come together to investigate the gaps in society; between rich and poor, between 'them and us' and between you and I.
Notes:
written by Davey Anderson, Dave Anderson, Alan Bissett, Catrin Evans, Keiran Hurley, Brian James, Kirstin McLean, David Maclennan, Gary Mcnair and A J Taudvin
1st Produced:
Organisations:
A Play, A Pie and a Pint. OTT
1st Published:
- -
Music:
-
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Genre:
short play
Parts:
Male: 3 Female: 2 Other: -
Further Reference:
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Delirious
Synopsis:
-
Notes:
By David Anderson, David Maclennan, Peter Arnott
1st Produced:
Tour
1999
Organisations:
Wildcat Theatre Company
1st Published:
- -
Music:
-
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Genre:
Musical
Parts:
Male: - Female: - Other: -
Further Reference:
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Demons
Synopsis:
To celebrate Oran Mor's 250th play a group of Scottish writers collaborated to produce the Jean-Jacques Rousseau Show. Those writers were Dave Anderson, Davey Anderson, Alan Bissett, Catrin evans, Mike Gonzalez, Sean Hardie, Kieran Hurley, David MacLennan, Gary McNair, Amanda Monfrooe and Julia Taudevin. Joined Now By David Greig and Lewis Hetherington, they have got together again to write this companion piece - Demons. A modern day variety show of songs, scenes, comedy, tragedy and polemic.
Notes:
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1st Produced:
Organisations:
a Play, a Pint and a Pie
1st Published:
- -
Music:
-
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Genre:
short play
Parts:
Male: - Female: - Other: -
Further Reference:
-
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Goldilocks And the Glasgow Fair
Synopsis:
We are on a Heritage Cruise going Doon the Watter aboard the Paddle Steamer Waverley. the year is 2011, but the organisers, Big Society Arts (a charitable organisation, slogan - Coming down to your level) want to take us back to the 1950s, or 40s or 30s. Depression? What Depression? Nonsense! theyre laying on this trip down Memory Lane, for free, for disadvantaged families. Join Granny and the weans, Darren and Blondie as they head for Largs to the strains of the Dixieland jazz band. Marvel at the Childrens entertainer, whom we might suspect is just a wee bit drunk, and whose act is a tribute to the forgotten skills of the end-of-the-pier artiste. He is doing a 3 Bears routine involving puppets, but, since he has only two hands and three puppets. . . . . Will Granny drift off into a dream of her childhood doon the watter when the Clyde Coast was Benidorm in the rain? Meet Goldilocks, the three bears and a host of other Panto characters in that world where a Knickerbocker Glory at Nardinis knocked Spanish Tapas into a Pokey Hat.
Notes:
part of A Play, A Pie And A Pint. the script And songs Are by Dave Anderson And David MacLennan
1st Produced:
Organisations:
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1st Published:
- -
Music:
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Genre:
summer panto
Parts:
Male: 2 Female: 2 Other: -
Further Reference:
-
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Honour Your Partners
Synopsis:
a testament to American working people struggling to break the 'iron will of oppression'
Notes:
Also known as: A Night Out In The Free World
1st Produced:
Organisations:
7:84 Theatre Company
1st Published:
- -
Music:
-
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Genre:
play
Parts:
Male: 8 Female: 3 Other: -
Further Reference:
National Library of Scotland ref: 7:84 (Scotland) Theatre Company - acc.10893/38
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If Scotland
Synopsis:
waggish poem on whether independence would realy change anything
Notes:
part of The Great Yes, No, Don't Know, Five Minute Theatre Show a global presentation over 24 hours debating Scottish Independence through 180 five minute pieces. Conceived, commissioned and curated by david Greig and david macLennan
1st Produced:
Organisations:
-
1st Published:
- -
Music:
-
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Genre:
poem
Parts:
Male: 2 Female: 2 Other: -
Further Reference:
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Jean-Jacques Rousseau Show, The
Synopsis:
To celebrate the 250th play commissioned and produced by A Play A Pie and A Pint at Oran Mor we look back to 1762 and the publication of Jean Jaques Rousseau's the Social Contract. You may be asked to sign a document while sipping your drink and nibbling your pie before the show goes up. . .
Notes:
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1st Produced:
Organisations:
a Play, a Pint and a Pie
1st Published:
- -
Music:
-
To Buy This Play:
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Genre:
short play
Parts:
Male: - Female: - Other: -
Further Reference:
-
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Lysistrata
Synopsis:
Originally performed in athens in 411 BC, it is a comic account of one woman's extraordinary mission to end the Pelopennesian War. Lysistrata oersuades the women of Greece to withhold sexual privileges from their husbands and lovers as a means of forcing the men to negotiate peace, a strategy however that inflames the battle between the sexes. X certificate!
Notes:
Original Playwright - Aristophanes. by David MacLennan And Dave Anderson
1st Produced:
Organisations:
a Play, a Pie and a pint
1st Published:
- -
Music:
-
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Genre:
One act
Parts:
Male: 3 Female: - Other: -
Further Reference:
-
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Maw Goose
Synopsis:
Oh what a stooshie for poor Maw Goosie. In these days of austerity she can't afford the rent, she's about to lose her job, she could go to jail because she's filled in some Income Support form incorrectly, her husband is gone because he cannae cope and has mental health issues, the electricity is cut off. . .but just in the nick of time enter Priscilla, the goose that lays the bullion bombs. Is this just Maw Goosie's good luck or is there a life and death struggle going on behind the scenes between the Demon King and the Good Fairy? Does everyone have a price and what happens when Maw Goosie enters the Spa of Eternal Youth? Dave Anderson and David MacLennan bring you another lunchtime Summer Panto to ask does everyone have to feather their own nests with goosedown or can we all live happily ever after?
Notes:
written by Dave Anderson and David MacLennan
1st Produced:
Organisations:
-
1st Published:
- -
Music:
-
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Genre:
Summer Pantomime
Parts:
Male: - Female: - Other: -
Further Reference:
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On Our Own
Synopsis:
provides a defiantly Scottish voice against independence. Accompanied by live bagpipes, it asks a series of humorously rhetorical questions which encourage a No vote in September.
Notes:
part of The Great Yes, No, Don't Know, Five Minute Theatre Show a global presentation over 24 hours debating Scottish Independence through 180 five minute pieces. Conceived, commissioned and curated by david Greig and david macLennan
1st Produced:
Organisations:
-
1st Published:
- -
Music:
-
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Genre:
five min piece
Parts:
Male: 2 Female: 2 Other: -
Further Reference:
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On the Pig's Back
Synopsis:
-
Notes:
-
1st Produced:
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1983
Organisations:
-
1st Published:
- -
Music:
-
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Genre:
1st draft
Parts:
Male: - Female: - Other: -
Further Reference:
National Library of Scotland ref: 7:84 (Scotland) Theatre Company - acc.10893/129
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Sleeping Beauty
Synopsis:
Oran Mor's Panto this year is Sleeping Beauty - Oh, yes it is! We've assembled the star studded cast of Juliet Cadzow, Dave anderson, Sandy Nelson and Catriona Grozier to bring you this new version of an old favourite story. Sleeping Beauty doesn't just get pricked by the Spinning Wheel this year - she gets savagely cut! expect to meet some very unexpected characters, to boo, hiss and cheer, to sing along,to 'look out she's behind you!', to eat a pie and drink a pint. . .and all this in under an hour. David Maclennan and Dave Anderson have teamed up again to write Oran Mor's Panto and it is the best bargain you're going to find this Christmas. Book early to be sure of a ticket or get one on door on the day. . . but be sure to get to the front of the queue!
Notes:
by David Maclennan And Dave Anderson
1st Produced:
Organisations:
a Play, a Pie and a pint
1st Published:
- -
Music:
-
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Genre:
One act
Parts:
Male: - Female: - Other: -
Further Reference:
-
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Snow White And the Seventh Dwarf
Synopsis:
the little-known - indeed, buried - story of a Pantomime Princess's forbidden relationship with a Person of Shortness. the other Dwarves - Whiffy, Jakey, Junkey, Spikey, Fart and Stupid, - are conveniently out of the cabin (budget issues) when Snow-White unburdens herself to Chookie, the Seventh Dwarf. It turns out she is dreading having to be rescued by a Prince: from what she knows of Princes, they're spoilt brats who would make rubbish husbands. She is warming to the charms of the wee man, who loves to work - a relationship the Media have kept under wraps for decades - nay, centuries. (although you don't have to say "nay" - it's a Pantomime word). In the meantime, Dark Forces are abroad. That's all you need to know - Dark Forces! abroad! Will Snow-White be rescued by a Handsome Prince? Killed by a Wicked Queen (is there any other kind?) or live happily ever after in a taboo relationship with the love of her life - who may or may not be a Person of Shortness?
Notes:
written by Dave Anderson And David macLennan
1st Produced:
Organisations:
-
1st Published:
- -
Music:
-
To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
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Genre:
pantomime
Parts:
Male: - Female: - Other: -
Further Reference:
-
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Thought For Today
Synopsis:
-
Notes:
-
1st Produced:
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1977
Organisations:
-
1st Published:
- -
Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
Booksellers:
Genre:
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Parts:
Male: - Female: - Other: -
Further Reference:
National Library of Scotland ref: 7:84 (Scotland) Theatre Company - acc.10893/49
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Uglies, The
Synopsis:
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Notes:
by Dave Anderson and David MacLennan
1st Produced:
Organisations:
a Play, a Pie and a pint
1st Published:
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Music:
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To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
Booksellers:
Genre:
One act panto
Parts:
Male: - Female: - Other: -
Further Reference:
-
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