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Nathaniel Moncrieff

NATHANIEL MONCRIEFF

  

Nationality:    Australian
email:    n/a     Website:    n/a

Literary Agent:    n/a

Nathaniel Moncrieff is a Perth-born playwright presently living in Melbourne. In 2009, on the basis of his first play Motel Rooms, he was selected by The Australian Theatre for Young People and Black Swan State Theatre Company to participate in their Fresh Ink and Young Writers Programs respectively. His following play, Sleepyhead, developed with the support of ATYP's Fresh Ink Program, won The Fellowship of Australian Writers' Di Cranston Award in their 2009 Literary Awards and was shortlisted for the 2010 Griffin Award, which led to productions by MKA in Melbourne in May 2011 and by Perth's Upstart Theatre Company in conjunction with Blue Room Summer Nights in February 2012. His play Tinkertown received its inaugural season by MKA in conjunction with TheatreWorks in late February 2012, which was followed by The Comedians' September/October Perth season at The Blue Room. In 2013, his play A Perfect Specimen received a public reading by Black Swan State Theatre Company in November 2013 and received a High Commendation in the Fellowship of Australian Writers' 2014 National Literary Awards. His newest works, The Burning and A Circle of Buzzards, were performed as part of the 2014 Regional Arts Australia Summit and the 2015 Blue Room Summer Nights program respectively.

Research:    http://www.ausstage.edu.au/pages/contributor/448866

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below is a list of Nathaniel Moncrieff's plays - click on a Play Title for more information

        Burning, The         Circle Of Buzzards, A         Motel Rooms         Perfect Specimen, A         Sleepyhead         Tinkertown



Burning, The

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Circle Of Buzzards, A

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Motel Rooms

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Perfect Specimen, A

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Sleepyhead

Synopsis:
On an isolated rural property, there lives a father and his two daughters. All three are haunted by a past tragedy that has left the youngest daughter, Genevieve, crippled, and their mother covered in hideous burns; an affliction that eventually drove her to suicide. The father, unemployed and too destitute to send his daughters to school, has confined his daughters to the decrepit cottage. The eldest daughter, Eleanor, has started receiving phone calls in the dead of night from a mysterious stranger who, out of loneliness, she has fallen for. When their father suddenly leaves to borrow money from his brother, the two sisters are left to look after themselves. As the days pass, a policeman calls by to warn them of young girls having disappeared in the area, incidents often preceded by strange phone calls. Dismissing the Constable's visit, Eleanor continues to speak with the man on the phone, while her sister, suffering the loss of her beloved pet chicken, grows sadder and lonelier, relying on the spectre of her dead mother for company. Soon, however, the phone calls cease and Eleanor becomes increasingly forlorn. The girls' situation grows bleaker as it becomes apparent that their father's absence may be permanent. Then, unexpectedly, Eleanor and Genevieve receive a visit from a stranger one night - a girl covered in blood, shaken and incoherent. Genevieve, frightened, aware something terrible has occurred, nonetheless welcomes the girl, Polly, as a friend. Eleanor, on the other hand, suspects the stranger she is in love with must somehow be involved, and instead of being afraid, she is jealous. Polly is a rival, and she must be dealt with. . .

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Developed with the support of ATYP's Fresh Ink program, Sleepyhead won the Fellowship of Australian Writers' Di Cranston Award in their 2009 Literary Awards And was shortlisted for the 2010 Griffin Award. the play has A distinctly mid-20th Century Aesthetic, the result, the playwright says, of living in Perth And reading way too much Southern Gothic Fiction.

1st Produced:
MKA, Level 1, 211 Chapel Street Prahran, VIC    10 May 2011

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Genre:
Darkly Funny Gothic Thriller 80 min

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Male:  4            Female:  2            Other:  -

Further Reference:
http://www.ausstage.edu.au/pages/event/92358

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Tinkertown

Synopsis:
You can choose your friends, but you can't choose your relatives. Sometimes, you can kill them. And sometimes you can kidnap them, and the cops can conduct an hour-long chase scene in the desert. You can't choose them, either. For the first time in ten years, Chester is out of jail and seeing his daughter. But, like everything else in his life, he ain't going to get it right. In an alcoholic haze, he's going to get to know his daughter...and why, of all the people you could possibly kidnap, a 16 year-old girl is not the most favourable choice.

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1st Produced:
Theatre Works, St Kilda, VIC    21 Feb 2012

Organisations:
MKA Theatre of New Writing

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Genre:
drama

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Further Reference:
http://www.ausstage.edu.au/pages/event/114961

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