The Playwrights Database
GEORGE MOORE (1852 - 1933)
Nationality:
Irish
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George Augustus Moore (24 February 1852 21 January 1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and Dramatist best known as a master of English prose, but he also wrote plays, usually in collaboration with other authors, and occasionally based on or on the precursors of his own novels, the best known of which are probably Diarmuid and Grania (with W.B.Yeats), the Strike at Arlingford, and the Bending of the Bough (based on Edward Martyn's the Tale of a Town).
For the most part only the first editions of Moore's works are listed here, but many were revised each time they were republished. For a complete listing of Moore's publications, therefore, see Edwin Gilcher, A Bibliography of George Moore (Dekalb, Illinois: Northern Illinois University Press, 1970), and Edwin Gilcher, assisted by the shared expertise of Robert S. Becker and Clinton K. Krauss, Supplement to A Bibliography of George Moore (Westport, Connecticut: Meckler Corporation, and Gerrards Cross, Buckinghamshire: Colin Smythe, 1988).
http://www.colinsmythe.co.uk/" target="_blank">pp 366-368, Selected plays of George Moore and Edward Martyn, Colin Smythe Limited, 1995
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below is a list of George Moore's plays - click on a Play Title for more information
Apostle, The
Bending of the Bough, The
Coming of Gabrielle, The
Diarmuid and Grania
Elizabeth Cooper
Esther Waters
Fashionable Beauty, The
Fool's Hour, The
Honeymoon in Eclipse, The
Journeys End in Lovers Meeting
Le Sycomore
Making of an Immortal, The
Martin Luther
Minister's Call, The
Passing of the Essenes, The
Strike at Arlingford, The
therese Raquin
Three Lovers, The
Worldliness
Apostle, The
Synopsis:
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Notes:
Scenario published to protect the idea later developed in his novel, the Brook Kerith, 1916. Expanded edition, based on the unpublished the Brook Kerith, A Spiritual Drama, written in collaboration with John Lloyd Balderston, further revised, And published by William Heinemann in 1923; rewritten As the Passing of the Essenes
1st Produced:
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Organisations:
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1st Published:
Dublin: Maunsel & Co., 1911 -
Music:
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Bending of the Bough, The
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Notes:
Rewritten version of Edward Martyn's the Tail of A Town
1st Produced:
Organisations:
Irish Literary Theatre
1st Published:
Music:
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Coming of Gabrielle, The
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Notes:
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1st Produced:
St James's Theatre, London 17 Jul 1923
Organisations:
Leon Lion
1st Published:
Music:
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Diarmuid and Grania
Synopsis:
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Notes:
(with W.B. Yeats) produced for the Irish Literary theatre by the F.R. Benson Company At the Gaiety theatre, Dublin, 1901. Published in April-June 1951 issue of the Dublin Magazine, And As A limited edition of 25 copies with An introductory note by William Becker, in April 1951. the song by Yeats 'there Are Seven that Pull the Thread' published in 1902 with music by Edward Elgar does not Appear in this version, which Appears to be A later one than that used for the production.
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1st Published:
Published in April-June 1951 issue of the Dublin Magazine -
Music:
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Elizabeth Cooper
Synopsis:
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Notes:
Adapted by Edouard Dujardin And translated As Clara Florise, produced At the Comedie Royal, Paris, in 1914, And serialised in L' Afrique du Nord Illustrie in 1920. English version rewrite And re-titled As the Coming of Gabrielle
1st Produced:
Haymarket theatre 22 Jun 1913
Organisations:
Stage Society
1st Published:
Dublin and London: Maunsel & Co., 1913 -
Music:
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Esther Waters
Synopsis:
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Notes:
with Lennox Robinson. A Dramatization of part of his novel of the same name. As early As 1906 Moore had been working with Edward Knoblock And Robinson on A version.
1st Produced:
Apollo Theatre, London 10 Dec 1911
Organisations:
Stage Society
1st Published:
London: William Heinemann, 1913. -
Music:
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Fashionable Beauty, The
Synopsis:
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Notes:
with Henry Glover. It is often stated that Henry Paulton was Moore's collaborator on this play, but Glover's name is given in contemporary references to the play And on the manuscript preserved in the Lord Chamberlain's papers now in the British Library.
1st Produced:
Avenue Theatre, London 07 Apr 1887
Organisations:
produced by Violet Melnot
1st Published:
unpublished -
Music:
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Play/Drama
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Fool's Hour, The
Synopsis:
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Notes:
(by John Oliver Hobbes And Moore), in the Yellow Book, London, 1894. Apparently never completed. Never produced.
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Genre:
Play/Drama one act
Parts:
Male: -  Female: -  Other: -
Further Reference:
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Honeymoon in Eclipse, The
Synopsis:
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Notes:
(Dramatisation of story by Mrs G.W. Godfrey), the production was not licenced by the Lord Chamberlain
1st Produced:
St George's Hall, London 12 Apr 1888
Organisations:
the Strolling Players
1st Published:
unpublished -
Music:
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Play/Drama
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Journeys End in Lovers Meeting
Synopsis:
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Notes:
with John Oliver Hobbes. Based on A play by Caraquell. Played from time to time by Ellen Terry As A curtain raiser, starting 5 June 1895
1st Produced:
- 05 Jun 1895
Organisations:
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1st Published:
Printed in an unlocated pamphlet in 1894, and without listing Moore as co-author in her Tales about Temperaments, London: T. Fisher Unwin, 1902. -
Music:
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Le Sycomore
Synopsis:
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Notes:
(French translation of W.S. Gilbert's play Sweet-hearts, by Moore And Paul Alexis)
1st Produced:
Comedie Francaise, Paris 20 Sep 1894
Organisations:
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1st Published:
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Music:
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Genre:
Play/Drama
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Further Reference:
A copy of the script is preserved in Archives de France, Dossier F18 727, No. 17223 at the Bibliotheque Nationale, Paris.
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Making of an Immortal, The
Synopsis:
with incidental music by Sir Thomas Beecham, Sybil Thorndike as Queen Elizabeth, and Charles Laughton as Jonson
Notes:
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1st Produced:
Arts Theatre, London 01 Apr 1928
Organisations:
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1st Published:
New York: the Bowling Green Press, and London: Faber & Gwyer Ltd., 1927. Edited for publication by John Eglinton -
Music:
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Play/Drama
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Martin Luther
Synopsis:
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Notes:
(with Bernard Lopez)
1st Produced:
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Organisations:
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1st Published:
London: Remington & Co., 1897. -
Music:
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Minister's Call, The
Synopsis:
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Notes:
(Dramatisation of Frank Harris' A Modern Idyll, by Arthur Symons collaborating with Moore). Only Symons was listed As Author. No manuscript of the play seems to have survived.
1st Produced:
Royalty Theatre, London# 04 Mar 1892
Organisations:
the Independent Theatre
1st Published:
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Music:
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Passing of the Essenes, The
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Notes:
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1st Produced:
Arts Theatre, London 01 Oct 1930
Organisations:
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1st Published:
Music:
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Genre:
Play/Drama
Parts:
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Further Reference:
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Strike at Arlingford, The
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Notes:
Originally A five-act version, reduced to three with the Assistance of Arthur Kennedy. Produced by the Independent theatre At the Opera Comique, in the Strand, London, on 21 February 1893, And three nights later At Manchester.
1st Produced:
- 21 Feb 1893
Organisations:
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1st Published:
Music:
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Genre:
Play/Drama 3 act
Parts:
Male: -  Female: -  Other: -
Further Reference:
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therese Raquin
Synopsis:
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Notes:
(revision of Moore's translation of Zola's play by Teixeria de Mattos
1st Produced:
Royalty Theatre, London 09 Oct 1891
Organisations:
the Independent Theatre
1st Published:
unpublished -
Music:
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Genre:
Play/Drama
Parts:
Male: -  Female: -  Other: -
Further Reference:
A Manuscript of the play is preserved among the Lord Chamberlain's papers.
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Three Lovers, The
Synopsis:
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Notes:
(with John Oliver Hobbes, pseud. of Mrs Pearl Craigie), Also called the Peacock's Feathers, not performed, Unpublished. (Rewritten by Moore As Elizabeth Cooper).
1st Produced:
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Organisations:
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1st Published:
unpublished -
Music:
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Genre:
Play/Drama
Parts:
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Further Reference:
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Worldliness
Synopsis:
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Notes:
No copy is known to exist, or to have existed, the sole reference to it being in Confessions of A Young Man And in I.A. Williams' 1921 bibliography of Moore's works.
1st Produced:
London c 1874
Organisations:
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1st Published:
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Music:
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Genre:
Play/Drama
Parts:
Male: -  Female: -  Other: -
Further Reference:
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