doollee banner

Last Updated: 29-Nov-13

Contact


Google
web doollee.com


Click on a Play title below for more information

Petter Naess

PETTER NAESS   (1960 - )

Nationality:   Norwegian    Email:   n/a   Website:   Click here to visit

Literary Agent:  n/a

Please send me a biography and information about this Playwright
xxx doollee

Adaptation / Translations of Plays by Petter Naess

SIMON BENT  

Elling

1st Produced:

Bush Theatre, London, EUR >>>

2007

Organisations:

Trademark ATG

1st Published:

Oberon Books, London >>>, 2007

ISBN/ASIN:

-

Music:

-

doollee no

#63226

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

Adaptation

Parts:

Male

4

Female

1

Parts other:

-

Notes:

Original Playwright - Axel Hellstenius (with Petter Naess) from the book by Ingvar Ambjornsen (literal translation by Nicholas Norris)

Synopsis:

Based on the novel by Ingvar Ambjørnsen, in original stage adaptation by Axel Hellstenius in collaboration with Peter Naess, in a new version by Simon Bent. Mummy's boy Elling and his roommate, the uncouth, reluctant virgin Kjell Bjarne, are the Odd Couple of Oslo: a pair of confused souls taking their first steps in the outside world after years of isolated, institutional life. Given a flat in the city by social services, they must re-assimilate themselves into society or face a return to the asylum. So it's simply a question of convincing their social worker that they really are "normal" - even if it does feel safer sleeping in the wardrobe. . . Based on the award-winning cult film, Elling was first performed at the Bush Theatre in 2007 and transferred to Trafalgar Studios in the West End.

Further Reference:

-


Top of Page Top of Page


Buy Plays with Doollee

Each page of doollee.com has links to play/book outlets, either directly to the Publisher, through Stageplays.com and Amazon to the second hand and 1st editions of AbeBooks. These links will automatically take you to the relevant area obviating the need for further search.




We add submitted information to the site daily and all contributions we receive help make this the most meaningful and definitive guide to modern playwrights in the world. So whether you are a Playwright who wishes to make their entry definitive, an unlisted Playwright or a User with a tale to tell - we want to hear from you.










Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.