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Hannah Owen-Wright

HANNAH OWEN-WRIGHT

  

Nationality:    New Zealander
email:    n/a     Website:    n/a

Literary Agent:    n/a

Hannah Owen-Wright's plays including biography, theatres, agent, synopses, cast sizes, production and published dates

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below is a list of Hannah Owen-Wright's plays - click on a Play Title for more information

        She: The Split Definitive         VOW



She: The Split Definitive

Synopsis:
offers another feminine perspective on a definitively human concern. Rachael Longshaw-Park plays a red cardy-clad 50s housewife fixatedly going over her traumatic upbringing in a family dominated by mental health patients, and the degrees of effectiveness of the prescribed pills and plans in preventing thoughts from slipping through their hands and breaking on the ground. - http://www.theatreview.org.nz/reviews/review.php?id=6450

Notes:
part of "Women: A Collection of Absurdist Monologues"

1st Produced:
Musgrove Studio, Maidment Theatre, Auckland    39 Oct 2013

Organisations:
Im Not Content Productions

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
short women's monologue

Parts:
Male:  -            Female:  1            Other:  -

Further Reference:
-

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VOW

Synopsis:
Words of women wound through history and myth. Women who are wives, who do not know what they have and hold. Women who are not warriors but are no less at war. SLANT is narrative as condemnation and creation myth. Painting lip or painted lip or Freudian slip or lip service? Pulling threads of womanhood from the torn edges of myth, SLANT puts tongues in the mouths of Persephone, Bluebeard's fourth wife, and the biblical Delilah. [EM]BEDDED/BODIED is a queer/trans love story embedded in the heart of an ancient empire. The latest incarnation of a story that first came into being as a 13th Century French chanson de geste Yde et Olive', it tells the story of Yde, a trans knight who rises to the highest possible chivalric glory in the ranks of the Roman Empire, through the voice of the Emperor's daughter, Olive, who falls fiercely in love with him.

Notes:
written by Hannah Rose Owen-Wright & Maria Ji. After their gorgeous performances at TAPAC, the individual pieces SLANT by Maria Ji (created under the mentorship of Natalie Hugill) and [EM]BEDDED/BODIED by Hannah Rose Owen-Wright (created under the mentorship of Raewyn Alexander) have been re-fitted for the Auckland Fringe, and are being presented under the new banner of VOW at Ironbar on K Rd.

1st Produced:
Ironbar, 150 Karangahape Rd, Auckland    25 Feb 2015

Organisations:
Printable Reality

1st Published:
-   -

Music:
-

To Buy This Play:
If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

Booksellers:

Genre:
piece

Parts:
Male:  -            Female:  -            Other:  -

Further Reference:
http://www.theatreview.org.nz/reviews/production.php?id=4387

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