Mark Rozovsky - complete guide to the Playwright, Plays, Theatres, Agent

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Kafka: Father And Son
Mark ROZOVSKY
Strider
Steve (1) BROWN
Strider
Robert KALFIN
Strider:the Story Of A Horse
Mark ROZOVSKY

	MARK ROZOVSKY
	Nationality: n/a Email: n/a Website: n/a
	Literary Agent: n/a

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Adaptation / Translations of Plays by Mark Rozovsky

MARK ROZOVSKY

Kafka: Father And Son

1st Produced:		Cafe La MaMa, NY, USA >>>			1992
Organisations:		The Shaliko Company
1st Published:		I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.			ISBN/ASIN:	-
Music:		-			doollee no	#93723
To Buy This Play:		If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
		abebooks.com abebooks.co.uk	stageplays.com	amazon.com	amazon.co.uk	amazon.ca
Genre:		n/a
Parts:		Male		-	Female	-
Parts other:		-
Notes:		Original Playwright - Mark Rozovsky
Synopsis:		n/a
Further Reference:		-

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STEVE (1) BROWN

Strider

1st Produced:		Westside Upstairs, 407 West 43rd Street, New York, NY 10036 >>>			31 May 1979
Organisations:		n/a
1st Published:		Samuel French Inc, New York			ISBN/ASIN:	-
Music:		-			doollee no	#115338
To Buy This Play:		If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
		abebooks.com abebooks.co.uk	stageplays.com	amazon.com	amazon.co.uk	amazon.ca
Genre:		Translation Musical
Parts:		Male		12 7 extras	Female	-
Parts other:		-
Notes:		Original Playwright - Mark Rozovsky. Music for original production by Mark Rozovsky and S Yetkin; new and additional music for English language version by Norman L Berman; original lyrics by Uri Riashentev; English lyrics by Steve Brown; Original book by Mark Rozovsky; English book by Steve Brown and Robert Kalfin
Synopsis:		The life of Strider a horse and his master - a disolute prince
Further Reference:		-

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ROBERT KALFIN

Strider

1st Produced:		Westside Upstairs, 407 West 43rd Street, New York, NY 10036 >>>			31 May 1979
Organisations:		n/a
1st Published:		Samuel French Inc, New York			ISBN/ASIN:	-
Music:		-			doollee no	#115339
To Buy This Play:		If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
		abebooks.com abebooks.co.uk	stageplays.com	amazon.com	amazon.co.uk	amazon.ca
Genre:		Translation Musical
Parts:		Male		12 7 extras	Female	-
Parts other:		-
Notes:		Original Playwright - Mark Rozovsky. Music for original production by Mark Rozovsky and S Yetkin; new and additional music for English language version by Norman L Berman; original lyrics by Uri Riashentev; English lyrics by Steve Brown; Original book by Mark Rozovsky; English book by Steve Brown and Robert Kalfin
Synopsis:		The life of Strider a horse and his master - a disolute prince
Further Reference:		-

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MARK ROZOVSKY

Strider:the Story Of A Horse

1st Produced:		Cottesloe Theatre, National Theatre, London >>>			1984
Organisations:		National Theatre, London
1st Published:		I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.			ISBN/ASIN:	-
Music:		-			doollee no	#29009
To Buy This Play:		If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
		abebooks.com abebooks.co.uk	stageplays.com	amazon.com	amazon.co.uk	amazon.ca
Genre:		Play/Drama
Parts:		Male		-	Female	-
Parts other:		-
Notes:		Original Playwright - Mark Rozovsky
Synopsis:		n/a
Further Reference:		-

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Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.