The Playwrights Database
THEATRE DE COMPLICITE
(1983 - )
Nationality:
British
email:
n/a
Website:
Click here
Literary Agent:
n/a
Founded in 1983 by Simon McBurney, Annabel Arden and Marcello Magni, Complicite is a constantly evolving ensemble of performers and collaborators, now led by Artistic Director Simon McBurney
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Anything For A Quiet Life
Synopsis:
the scene set is an office of sorts where clerks and executives alike are trapped in an hilarious nightmare world of aborted meetings, broken air conditioning, thwarted clandestine affairs and hierarchical games of pass the buck.. As the building collapses so do those within it until anarchy and desperate euphoria sweep the workers into a cringe making office party among the debris of the board room.
- Paula Webb, What's On
Notes:
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1st Produced:
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Music:
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Genre:
Piece
Parts:
Male: 2 Female: 5 Other: -
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Beware Of Pity
Synopsis:
Ungeduld des Herzens / Beware of Pity published in 1939, is a tense and claustrophobic account of a young mans slide into a terrible situation, and his inability to extricate himself from it. Its a devastating depiction of honour, love and betrayal, realised against the background of the disintegration of the Austro-Hungarian Empire, and the rise of anti-Semitism. Simon McBurney's production will be in German and features the Schaubuhnes ensemble of actors. Young soldier Hofmiller is invited to Baron Kekesfalvas castle. The soirée is a success: Hofmiller manages to entertain with one amusing anecdote after another. Inebriated by his accomplishment, he asks Edith, the hosts daughter, for a dance. But Edith blanches. Hofmiller recognises he has committed a faux pas, but only when the girl9s cousin explains that Edith is paralised does he comprehend the extent of his offence and flees the castle. The following morning he sends flowers and Edith retaliates with an invitation to tea. Soon, Hofmiller is a daily guest at the castle, not noticing that the mentally fragile Edith has fallen desperately in love with him. When Hofmiller understands the truth, he proposes marriage, but once Edith realises that this has only happened out of pity, her initial delight mutates into a despairing rage
Notes:
by Stefan Zweig In a version by Simon McBurney, James Yeatman, Maja Zade and Complicite
1st Produced:
Schaubuhne, Berlin
Feb 2016
Organisations:
Theatre de Complicite
1st Published:
- -
Music:
-
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Genre:
piece
Parts:
Male: 4 Female: 3 Other: -
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Disappearing Number
A Disappearing Number takes as its starting point the story of one of the most mysterious and romantic mathematical collaborations of all time. Simultaneously a narrative and an enquiry, the production crosses three continents and several histories, to weave a provocative theatrical pattern about our relentless compulsion to understand. A man mourns the loss of his lover, a mathematician mourns her own fate. A businessman travels from Los Angeles to Chennai pursuing the future; a physicist in CERN looks for it too. the mathematician GHHardy seeks to comprehend the ideas of the genius Srinivasa Ramanujan in the chilly English surroundings of Cambridge during the First World War. Ramanujan looks to create some of the most complex mathematical patterns of all time. Threaded through this pattern of stories and ideas are questions. About mathematics and beauty; imagination and the nature of infinity; about what is continuous and what permanent; how we are attached to the past and how we affect the future; how we create and how we love.
Notes:
devised by Complicite And Simon McBurney
1st Produced:
Organisations:
BITE:07
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Music:
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Genre:
Piece
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Male: - Female: - Other: 9 performers
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Encounter, The
. . .my hand, groping around the universe, has torn a corner open. . .why did I tear the corner open, if I'm not prepared for the encounter? Twenty years ago Simon McBurney was given a book. Written by a Romanian who escaped the Ceausescu regime to reinvent himself as a Los Angeles screenwriter, the book, Amazon Beaming, tells the story of photographer Loren McIntyre, who, in 1969, found himself lost amongst the remote people of the Javari Valley, on the border between Brazil and Peru. It was an encounter that changed his life: bringing the limits of human consciousness into startling focus. Taking Petru Popescu's account of McIntyre's journey as its compass and using binaural technology to build an intimate and shifting world of sound, Complicite's new production is a set of encounters with nature, with time, and with our own consciousness.
Notes:
written by Simon McBurney Inspired by the book, Amazon Beaming, by Petru Popescu
1st Produced:
Edinburgh International Conference Centre, Edinburgh International Festival
08 Aug 2015
Organisations:
Theatre de Complicite
1st Published:
Music:
-
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Genre:
adaptation 120 min
Parts:
Male: 1 Female: - Other: -
Further Reference:
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Evening With Complicite, An
Synopsis:
-
Notes:
London International Mime Festival. The first Festival took place at The Cockpit Theatre and Arts Centre, London NW8, in January 1977. In that year the event was called The Cockpit Festival of Mime and Visual Theatre. It is now the longest running festival of its kind in the world. With the exceptions of 1983 and 1986, the Festival has taken place each year, featuring, in addition to workshops, films, debates and special events, performances by the following artists and companies.
1st Produced:
Q Elizabeth Hall, London
1990
Organisations:
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- -
Music:
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Food of Love
Synopsis:
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Help! I'm Alive
Synopsis:
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Hudsucker Proxy, The
Synopsis:
The play charts the fate of everyman Norville Barnes, a naive business graduate who take on the might of the Hudsucker Industries as part of a stock scam. This is a madcap, high-octane story captures perfectly the everyday battle between worker bee and top brass which is played out en masse in offices across the land.
Notes:
adapted by Simon Dormandy. Based on the Warner Brothers film, The Hudsucker Proxy written by Ethan Cohen & Joel Cohen and Sam Raimi.
1st Produced:
Organisations:
Theatre de Complicite
1st Published:
- -
Music:
-
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If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies
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Genre:
adaptation
Parts:
Male: - Female: - Other: -
Further Reference:
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Light
Synopsis:
A man leaves his village to look for love - he returns with a rabbit that has a deadly disease
Notes:
Original Playwright - Torgny Lindren
1st Produced:
-
Organisations:
-
1st Published:
Oberon Books, 2000 -
Music:
-
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Genre:
Translation
Parts:
Male: - Female: - Other: -
Further Reference:
-
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Like Mother, Like Daughter
Synopsis:
If you could ask your mother one question about her life, what would it be? What is the most important thing a mother can pass on to her daughter? Created and performed by mothers and daughters from different religions, Like Mother, Like Daughter is a conversation about the traditions we inherit and what we pass on. Join us at the table - and don't forget your mother
Notes:
Like Mother, Like Daughter is a collaboration between Complicite Creative Learning, London, and Why Not Theatre, Toronto. It was originally created with OFFTA, Montreal.
1st Produced:
Organisations:
Complicite Creative Learning
1st Published:
- -
Music:
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Genre:
piece
Parts:
Male: - Female: - Other: -
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Lionboy
Inspired by Zizou Corder's bestselling trilogy, Lionboy tells the story of eleven-year old Charlie Ashanti. He's a perfectly normal boy, except for one thing: he can speak to cats. When Charlie's parents are kidnapped, he sets off on a rescue mission - with a little help from a floating circus and its pride of performing lions.
Notes:
adapted from the book by Zizou Corder by Marcelo Dos Santos
1st Produced:
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1st Published:
Nick Hern Books, London 978-1848424760
Music:
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Genre:
Adaptation
Parts:
Male: 4 Female: 4 Other: -
Further Reference:
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Minute Too Late, A
Synopsis:
Disproving Berowne in Love's Labour's Lost, the three performers prove that it's perfectly possible to move wild laughter in the throat of death. - Billington, Guardian
Notes:
Devised by Jozef Houben, Simon McBurney & Marcello Magni with Annabel Arden
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Male: 3 Female: - Other: -
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Miss Donnithorne's . . .
Synopsis:
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Mnemonic
Synopsis:
An exploration of the subjects of memory and time. A man alone in his London flat, unable to sleep searches in his memory. Or does he imagine? In 1991 tourists descending a 3000 metre peak discover a shrivelled, naked body emerging from the ice. How old is it? Why is it wearing a strange grass filled shoe?
Notes:
Conceived by Simon McBurney. Originally devised by Katrin Cartlidge, Richard Katz, Simon McBurnly, Tim McMullan, Stefan Metz, Kostas Philippoglou, Catherine Schaub Abkarian.
1st Produced:
Organisations:
Theatre de Complicite
1st Published:
- -
Music:
-
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Genre:
Devised Piece
Parts:
Male: 5 Female: 2 Other: -
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More Bigger Snacks Now
Synopsis:
-
Notes:
devised with Neil Bartlett
1st Produced:
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Please Please Please
Synopsis:
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Notes:
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-
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Male: - Female: - Other: -
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Put It On Your Head
Synopsis:
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Notes:
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Genre:
piece
Parts:
Male: - Female: - Other: -
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Shun-Kin
Synopsis:
Shun-kin is a haunting tale of love, as unconventional to Western eyes and ears in the telling as the mythical quality of the underlying story. Simon McBurney and Complicite have attempted to give the two-hour performance a feel that enhances a stage version of two works written by Jun'ichiro Tanizaki in 1933 A Portrait of Shunkin and In Praise of Shadows, both set in 19th Century Japan.
- Philip Fisher, British theatre Guide
Notes:
By Simon McBurney And Complicite, based on the writings of Jun'ichiro Tanizaki
1st Produced:
Organisations:
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1st Published:
- -
Music:
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Genre:
Piece
Parts:
Male: - Female: - Other: ten performers
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Street of Crocodiles, The
Synopsis:
The play was based on the semi-autobiographical stories of the Polish writer Bruno Schulz and revolves round his childhood in south east Poland, and the eccentricities of his family, particularly his father. The company devised a show that was neither a straight reporting of Schulz's short life, nor a straight dramatisation of his writing, but an evocation of both. The fantastical, surreal and poetic elements of Schulz's writing were theatricalised. The way in which events could spiral off into unreality gave the production a dreamlike (even nightmarish) quality. Director Simon McBurney explained how the rehearsal process involved trying different ways of retelling Schulz's stories, sometimes using just words, sometimes using none at all, sometimes mixing languages or using rhythm and music in place of text.
Notes:
based on the semi-autobiographical stories of the Polish writer Bruno Schulz (1934). Adaptation by Simon McBurney and Mark Wheatley
1st Produced:
Organisations:
Theatre de Complicite
1st Published:
- -
Music:
-
To Buy This Play:
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Genre:
adaptation
Parts:
Male: - Female: - Other: -
Further Reference:
-
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What Is All This Dancing?
Synopsis:
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Notes:
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1st Produced:
Albany Empire, London
1988
Organisations:
-
1st Published:
- -
Music:
-
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Genre:
-
Parts:
Male: - Female: - Other: -
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