The Playwrights Database
LAURA WADE
(1977 - )
Nationality:
English
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Literary Agent:
Knight Hall Agency Ltd
Playwright Laura Wade was commissioned for the Finborough Theatre by Artistic Director Neil McPherson to write the world premiere of Young Emma in 2003 which marked her London debut. She has been a Playwright-in-Residence at the Finborough since 2004. Her other plays include Posh and Breathing Corpses (Royal Court Theatre), and Colder Than Here and Other Hands (Soho Theatre). Her awards include the Critics' Circle Award for Most Promising Playwright, the Pearson Best Play Award and the George Devine Award. Laura Wade's plays have also been performed in the usa, Australia, Sweden, Germany and the Netherlands.
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16 Winters
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24 Hour Play!, The
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A unique platform of new short plays by Britain s brightest emerging theatre makers, entirely created in just 24 hours. All proceeds from the event support Old Vic New Voices, which supports young and emerging talent, sources and develops new work for production on The Old Vic stage and opens up The Old Vic to new and diverse audiences.
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Written by Bryony Lavery, Nina Raine, Moses Raine, Laura Wade.
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piece
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Alice
Wonderland as you've never seen it before! While retaining the magic of Lewis Carroll's classic tale, this adaptation breathes fresh life into the much-loved story about rabbit holes, pocket watches and talking caterpillars. the new adaptation follows Alice as she escapes her bedroom to find adventure in a topsy-turvy world. the White Rabbit is still late for the Duchess. the Cheshire Cat still won't stop grinning. And the Hatter is, well, still mad. But in the middle of it all is a very modern Alice, a young girl with a vivid imagination and a family life that's far from perfect.
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adaptation of Lewis Carroll's Alice in Wonderland
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Breathing Corpses
One mangled woman's body is rotting in a storage crate and another has been dumped in a city park. A daisy chain of events
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Catch
It's like they want to tap into your soul - watch your every move, monitor who you are, file a report on you and sell you off.' there is a company that knows who you are. they trace every detail of your lifestyle, habits and spending. they know your darkest fears and secret hopes. they can change you. Claire has created a new identity for herself and promises to do the same for others in crisis. She alone has unrestricted access to the company records. Catch is a new collaborative play by five leading writers, which asks timely questions about who we want to become - and at what cost.
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written by April De Angelis, StElla Feehily, Tanika Gupta, Chloe Moss And Laura Wade
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Colder Than Here
I walked in and she's sat in the coffin. In the middle of the living-room floor and she's - she's watching telly and laughing'. Nobody can ignore the fact that Myra is dying but in the meantime life goes on. there are boilers to be fixed, cats to be fed and the perfect funeral to be planned. As a mother researches burial spots and bio-degradable coffins, her family are finally forced to communicate with her, and each other, as they face up to an unpredictable future.
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Extra Ordinary
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In Extra Ordinary, two women test the boundaries of their unconventional relationship.
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short play
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Fear Of Flying
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1997
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Last Child, The
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Limbo
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Other Hands
I don't tingle anymore. I used to. To tingle. Everything I feel, feels like it's in my hands. Rest of me's totally. . .numb.' In a world of systematic, high-speed technology, some people expect to live life as efficiently as the machines they depend on. . . and when a machine breaks down, there is usually someone with the skills to fix it. But in an age where things that don't work and can't be mended are thrown away, what do we do with something as human and messy as love?
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People
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In People, a businesswoman finds herself floundering after one of her employees drops a bombshell.
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Posh
In an oak-panelled room in Oxford, ten young bloods with cut-glass vowels and deep pockets are meeting, intent on restoring their right to rule. Members of an elite student dining society, the boys are bunkering down for a wild night of debauchery, decadence and bloody good wine. But this isn't the last huzzah: they're planning a takeover. Welcome to the Riot Club.
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Tipping the Velvet
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It's 1887 and Nancy Astley sits in the audience at her local music hall: she doesn't know it yet, but the next act on the bill will change her life. Tonight is the night she'll fall in love. . . with the thrill of the stage and with Kitty Butler, a girl who wears trousers. Giddy with desire and hungry for experience, Nancy follows Kitty to London where unimaginable adventures await.
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Based on the Novel by Sarah Waters in a new adaptation by Laura Wade
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Male: 3 Female: 7 Other: 4
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Twelve Machine And the Last Child
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Watsons, The
What happens when the writer loses the plot? Emma Watson is nineteen and new in town. She's been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast. If not, they face poverty, spinsterhood, or worse: an eternity with their boorish brother and his awful wife. Luckily there are plenty of potential suitors to dance with, from flirtatious Tom Musgrave to castle-owning Lord Osborne, who's as awkward as he is rich. So far so familiar. But there's a problem: Jane Austen didn't finish the story. Who will write Emma's happy ending now? Based on her incomplete novel, this sparklingly witty play looks under the bonnet of Jane Austen and asks: what can characters do when their author abandons them?
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adapted from the unfinished novel by Jane Austen
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Wild Swans, The
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Young Emma
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