doollee banner

Last Updated: 08 Aug 13

Contact


Google
web doollee.com


Click on a Play title below for more information

Camila Le-Bert

CAMILA LE-BERT   

Nationality:   Chiliean    Email:   n/a   Website:   n/a

Literary Agent:  n/a

Please send me a biography and information about this Playwright
xxx doollee

Adaptation / Translations of Plays by Camila Le-Bert

WILLIAM GREGORY  

Chan!

1st Produced:

Royal Court Theatre, Theatre Upstairs, Sloane Square, London SW1W 8AS >>>

13 Sep 2013

Organisations:

n/a

1st Published:

I don't think it has been published. Try emailing Playwright or Agent where listed at top of page.

ISBN/ASIN:

-

Music:

-

doollee no

#153120

To Buy This Play:

If Publisher (above) is underlined then the play may be purchased by direct click from the Publisher, otherwise (below) are AbeBooks for secondhand, signed & 1st eds and other Booksellers for new copies

 

abebooks.com
abebooks.co.uk

Stageplays.com

amazon.com

amazon.co.uk

amazon.ca

Genre:

translation

Parts:

Male

-

Female

-

Parts other:

-

Notes:

Original Playwright - Camila Le-Bert. Part of New Plays From Chile - A series of five plays, in the week that marks the 40th anniversary of the military coup (11 September 1973) that overthrew Salvador Allendes democratic government, giving us a rare insight into life in Chile today.

Synopsis:

Its a long flight home and a bumpy landing for Aurora and José, two Chilean graduates whose love blossomed while studying in New York. Back in Santiago, they struggle to adapt to the realities of adult life. The fast-mutating skyline belies a city still weighed down by history, and what once made sense in Brooklyn looks flawed in the shadow of the Andes.

Further Reference:

-


Top of Page Top of Page


Buy Plays with Doollee

Each page of doollee.com has links to play/book outlets, either directly to the Publisher, through Stageplays.com and Amazon to the second hand and 1st editions of AbeBooks. These links will automatically take you to the relevant area obviating the need for further search.




We add submitted information to the site daily and all contributions we receive help make this the most meaningful and definitive guide to modern playwrights in the world. So whether you are a Playwright who wishes to make their entry definitive, an unlisted Playwright or a User with a tale to tell - we want to hear from you.










Apart from very popular and world touring productions, many performing arts events are largely forgotten about in a matter of months. Traces may remain in various collections, but few collecting agencies, such as libraries, catalogue each flyer or program individually. Hence, unless one knows that an event took place at a certain time in a certain place, tracking down such an event as part of a research project is often a matter of chance. Where research needs to be carried out on high profile and well-documented productions only, this is not a problem. However, both the historian and the analyst will attest that the cultural, political, or sociological context in which a performing arts event takes place is also of major importance, as are the other events that took place in close proximity, either in place or time. A good overview of such productions provides us with a 'social document' that can greatly enhance cultural studies in ways that extend far beyond the narrow confines of theatre history. For instance, data such as this can be used to monitor the health of communities, particularly when used in association with data obtained from other social science disciplines. When one researches a particular playwright one might want to know about all the productions of plays by that author; if one wants to investigate what choices a particular audience had over a period of history and compare this to, say, an ethnic breakdown of the population, one would need to know broadly all the events that took place during that time. If one wanted to do a statistical analysis on the shift in popularity of a genre over one or more generations, it is important to have knowledge of most of the relevant major and minor performance events that took place. In this context, issues of aesthetic quality and the professionalism of a production - which will of course have an impact on such studies - are not the determining factors when deciding to include or exclude events, since all events are the raw material for such research.